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THE CELEBRANTS

A touch wiseacre but more wise.

A privileged but somewhat diverse group of friends support each other in a profound way through their early to middle adulthood.

Meeting first as misfit transfer students in their sophomore year at Berkeley, Marielle, Naomi, Craig, the Jordans (a gay couple), and Alec quickly become family to each other. But Alec, the wildest, dies of an overdose two weeks before graduation, leaving the others bereft and confused. After Alec’s funeral, Marielle convinces them to join in an unusual pact to celebrate each other: At any time of their choosing, each can call on the others to gather for their own “funeral” during which they get to be celebrated, loved, and supported while still alive. The book covers the “funerals” of Marielle, Naomi, and Craig at different crisis points in their lives over the next 30 years. Hanging over the proceedings are two things, one of which is always present for the characters: the trauma of Alec’s death. The other is the novel’s present-day framing, in which one of the Jordans has terminal prostate cancer, and his husband (now Jordy for distinction) is nudging him to trigger the pact and tell the group. There is an updated Big Chill quality to it all, hitting many of the same sweet and melancholy notes around aging, death, love, and the shorthand old friends have with each other. This particular group’s lingua franca is quite tart—they trade in jabs, cynicism, and intellectualism—but over time it becomes clear how much they value each other, even when old secrets get revealed and dynamics shift. Rowley peppers biographical details evenly through the book, making it initially hard to get a good grasp on the friends’ individual personalities, though they come into better focus over time. Occasionally their dialogue and misadventures are downright hilarious.

A touch wiseacre but more wise.

Pub Date: May 30, 2023

ISBN: 978-0-59354042-8

Page Count: 320

Publisher: Putnam

Review Posted Online: March 13, 2023

Kirkus Reviews Issue: April 1, 2023

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THE PERSONAL LIBRARIAN

Strangely stuffy and muted.

The little-known story of the Black woman who supervised J. Pierpont Morgan’s storied library.

It's 1905, and financier J.P. Morgan is seeking a librarian for his burgeoning collection of rare books and classical and Renaissance artworks. Belle da Costa Greene, with her on-the-job training at Princeton University, seems the ideal candidate. But Belle has a secret: Born Belle Marion Greener, she is the daughter of Richard Greener, the first Black graduate of Harvard, and she's passing as White. Her mother, Genevieve, daughter of a prominent African American family in Washington, D.C., decided on moving to New York to live as White to expand her family’s opportunities. Richard, an early civil rights advocate, was so dismayed by Genevieve’s decision that he left the family. As Belle thrives in her new position, the main source of suspense is whether her secret will be discovered. But the stakes are low—history discloses that the career-ending exposure she feared never came. There are close calls. J.P. is incensed with her but not because of her race: She considered buying a Matisse. Anne Morgan, J.P.’s disgruntled daughter, insinuates that Belle has “tropical roots,” but Belle is perfectly capable of leveraging Anne’s own secrets against her. Leverage is a talent of Belle’s, and her ruthless negotiating prowess—not to mention her fashion sense and flirtatious mien—wins her grudging admiration and a certain notoriety in the all-White and male world of curators and dealers. Though instructive about both the Morgan collection and racial injustice, the book is exposition-laden and its dialogue is stilted—the characters, particularly Belle, tend to declaim rather than discuss. The real Belle left scant records, so the authors must flesh out her personal life, particularly her affair with Renaissance expert Bernard Berenson and the sexual tension between Belle and Morgan. But Belle’s mask of competence and confidence, so ably depicted, distances readers from her internal clashes, just as her veneer must have deterred close inquiry in real life.

Strangely stuffy and muted.

Pub Date: June 29, 2021

ISBN: 978-0-593-10153-7

Page Count: 352

Publisher: Berkley

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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THE HOUSE ACROSS THE LAKE

A weird, wild ride.

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  • New York Times Bestseller

Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.

Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.

A weird, wild ride.

Pub Date: June 21, 2022

ISBN: 978-0-593-18319-9

Page Count: 368

Publisher: Dutton

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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