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HIGH DESERT HIGH

A sublimely unusual tale of a man’s dementia or, perhaps, his awakening.

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A newly retired NYPD cop moves to the California desert and experiences culture shock—with hippies and UFO sightings that may be driving him crazy—in this mystery.

While he’s off duty, Lt. Paul Santo’s meal is interrupted by protesters demanding restaurant diners stand in objection to racist police. Paul’s clash with one demonstrator gets him in trouble, but rather than take a one-day suspension, he opts for retirement, already fed up with a public that designates cops as the bad guys. He soon has the chance to reconnect with his 21-year-old daughter, Tracy, who’s been estranged since Paul’s alcoholic, drug-abusing wife, Marcy, left him years ago. Tracy wants to start a new life on the West Coast. Paul joins her, and while Tracy stays with her friend Heidi, he seeks adventure at the Joshua Tree National Park. There he meets Kate at the Joshua Tree Inn’s front desk and later encounters a band of hippies who regularly dabble in drugs and UFO gazing. One night, Paul himself spots an unexplained spacecraft on the road, precipitating a vehicular accident. He’s certain someone in the group slipped him a Mickey (like, say, LSD); otherwise, there’s a very good chance he’s losing his mind. Though Schindler’s (The Last Sewer Ball, 2013, etc.) offbeat novel ultimately delves into the mystery of Paul’s mental state, it builds on a sturdy foundation of lonely cop–turned–family man. Paul’s torn between giving Tracy space and ingratiating himself into her life; Tracy wants to tell her father the true nature of her relationship with Heidi and her surprise career plans. It’s a worthy precursor to the latter half, which is effectively blanketed in ambiguity. Even Kate, for example, is suspect (maybe she drugged Paul’s tea), and many things could be the reason he sees the craft and other peculiarities, from stress to the desert heat. The prose, meanwhile, spices up the narrative without subverting Paul’s predicament: “As he coffee’ed up, his brain was spinning, churning, digging for solutions.”

A sublimely unusual tale of a man’s dementia or, perhaps, his awakening.

Pub Date: Nov. 7, 2017

ISBN: 978-0-9662408-0-1

Page Count: 303

Publisher: The Elevated Press

Review Posted Online: Oct. 24, 2017

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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