WINTER

AN ALPHABET ACROSTIC

Schnur and Evans round out the year, producing another visually and verbally entrancing title following Autumn (1997), Spring (1999), and Summer (2001). Evans makes hand-colored linoleum blocks whose strong and supple graphic line sets off her rich colors. The images move from early winter through the holiday season to the drippy days late in the season, when you can leave your coat open and long for a bit of green. Schnur’s deceptively simple acrostics trace the alphabet and the season, as for example, Q: “Q uickly we leap from / U nder warm covers / I nto sweaters and boots, / L ate for school / T his cold, snowy morning.” The young girl in the picture is wrapped in a patchwork quilt as she glances at her alarm clock, her moon-and-star pajamas peeking out. While most of the pictures—and the poems—reflect a country air (duck ponds, rabbit burrows, horse-drawn sleighs), a greenhouse and a brick city street decked in holiday lights broaden the imagery. With this latest entry Schnur and Evans complete a most satisfying quartet that can be read with pleasure the whole year round. (Picture book/poetry. 3-8)

Pub Date: Oct. 21, 2002

ISBN: 0-618-02374-7

Page Count: 32

Publisher: Clarion

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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A comical, fresh look at crayons and color

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THE DAY THE CRAYONS QUIT

Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color . (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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