Modern economic scheming versus provincial loyalty makes for an endearing thriller.
A colorful cast of characters unites to stop one of their own from exploiting a small New England town’s land and water.
Brock Saunders is a blight on the community of Bridgeville, Connecticut. After ripping off the town’s farmers with a Ponzi scheme, he moved into the shadows, helping to facilitate the construction of an eyesore fuel-cell site and working as a consultant for the “New England Council Consortium,” an organization out to monetize the land at the expense of its people. Peter Russo knows well what it’s like to run afoul of Brock. Not only did he rob Peter’s brother and father, but he also raped his dear friend Nancy, an assault she has never gotten over. Though still quite active in his 50s, Peter will have to look to his friends, family, and fellow townsfolk for aid as a conspiracy by Brock and the consortium to sell the area’s water rights to the huge company Eautopia is slowly uncovered, a plot that the group is willing to kill to protect. Despite the high stakes of Fischer’s debut thriller, the book is often quite lighthearted. Peter’s “revenge” on Brock includes merely planting flowers around the ugly power station, and he’s aided in his fight with colorful characters ranging from a part-time private investigator and yoga-obsessed British ex-police officer to an obnoxiously loud ambulance chaser of a lawyer. Peter’s other allies are fully drawn individuals dealing with many of the modern challenges familiar to small communities; his niece, Rachel, is attempting to stay clean after opioid addiction; his ex Carmen, whom he still holds a torch for, lost her daughter to similar challenges; and most of the community suffers under a bureaucratic kleptocracy that isn’t answerable to its neighbors. Chapters are short but never rushed, and the dialogue is natural and funny, slang-filled and prone to friendly swearing and good-natured insults between close friends. As with any small town, there’s a lot of history to cover both about the area and among the characters, but even this is introduced organically, with details left to be fleshed out later on, feeding the story’s intrigue.
Modern economic scheming versus provincial loyalty makes for an endearing thriller.Pub Date: April 23, 2019
ISBN: 978-1-73274-347-2
Page Count: 240
Publisher: Green Writers Press
Review Posted Online: March 21, 2019
Kirkus Reviews Issue: May 1, 2019
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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