Astute and tender, rich in lovely images and revealing details—another wonderful piece of work from the immensely gifted...

HENRY, HIMSELF

The husband and father whose death haunted two previous novels about the Maxwell family (Wish You Were Here, 2002; Emily, Alone, 2011) speaks for himself in this moving third installment.

The prolific and protean O’Nan (City of Secrets, 2016, etc.) has ranged with aplomb over many genres and locales, but his heart is most evidently engaged in the novels set in his native Pittsburgh. The city has been home to Henry Maxwell’s family for generations, but his neighborhood is changing; there are supermarkets he doesn’t like wife Emily shopping in alone, and the couple is shaken by reports of an assault-rifle attack on a nearby backyard party. The traditions that sustain and nourish Henry—weekly churchgoing, holiday charitable giving, the annual spring flower show, summers at their cottage by the lake in Chautauqua—seem to be cherished only by a dwindling band of elderly folks like himself. As the novel progresses through the year 1998, O’Nan poignantly captures Henry’s sense of loss and diminishment—he is 74 and overweight with bad cholesterol—while tenderly evoking his enduring love for prickly Emily, his devotion to their two children and four grandchildren, and the pleasure this retired engineer takes in puttering in the garage and tending to the house. Memories of his past are deftly interpolated to illuminate the childhood and wartime experiences that shaped a quiet, slightly distant man who dislikes conflict. Several flashbacks to World War II are particularly notable for the delicacy with which O’Nan unfolds the lasting impact of Henry’s combat experiences. As usual, this profoundly unpretentious writer employs lucid, no-frills prose to cogently convey complicated emotions and fraught family interactions. The novel makes no claims for Henry or his kin as exceptional people but instead celebrates the fullness and uniqueness of each ordinary human being.

Astute and tender, rich in lovely images and revealing details—another wonderful piece of work from the immensely gifted O’Nan.

Pub Date: April 9, 2019

ISBN: 978-0-7352-2304-2

Page Count: 384

Publisher: Viking

Review Posted Online: March 18, 2019

Kirkus Reviews Issue: April 1, 2019

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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