In this superb book, Ross (World Leaders, not reviewed) not only makes Macbeth live—he also makes the drama behind the play come alive as well. Aided by Karpinski and Ambrus's old master-style illustrations and kinetic sketches, Ross presents Shakespearean London, the Globe theater, and the royal palace at Hampton Court. He describes in surprising detail, though never tediously, the situation of the King's Men actors. Not only did they perform daily from a large repertoire of plays, they also had to handle drunken hecklers from the audience and were constantly in fear that the torches lighting the stage would ignite the wooden theater. (The Globe did eventually burn down in 1613 during a performance of Henry VIII.) Ross also explains how Shakespeare conceived of and wrote Macbeth. The bard picked a Scottish theme to please the recently crowned James I, who was also King of Scotland; he combined two histories to create a moving tragedy, while at the same time clearing any of James's ancestors of wrongdoing; and he made the play short, because James had a limited attention span. Shakespeare continued to write Macbeth throughout rehearsals, and he gave each actor only his own part so that rival companies would not be able to get a complete copy of the play and steal it. The play was, of course, a huge success. A terrific job of making the vitality of Shakespeare accessible. (Index; chronology; bibliography and further reading; foreword by Kenneth Branagh) (Book-of-the-Month Club selection) (Nonfiction/Picture book. 10+)
Pub Date: Oct. 1, 1994
ISBN: 0-670-85629-0
Page Count: 48
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1994
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
This profoundly moving story is all the more impressive because of its basis in fact. Although the story is fictionalized, its most harrowing aspects are true: “Today, more than two hundred million children between the ages of five and seventeen are ‘economically active’ in the world.” Iqbal Masih, a real boy, was murdered at age 13. His killers have never been found, but it’s believed that a cartel of ruthless people overseeing the carpet industry, the “Carpet Mafia,” killed him. The carpet business in Pakistan is the backdrop for the story of a young Pakistani girl in indentured servitude to a factory owner, who also “owned” the bonds of 14 children, indentured by their own families for sorely needed money. Fatima’s first-person narrative grips from the beginning and inspires with every increment of pride and resistance the defiant Iqbal instills in his fellow workers. Although he was murdered for his efforts, Iqbal’s life was not in vain; the accounts here of children who were liberated through his and activist adults’ efforts will move readers for years to come. (Fiction. 10-14)
Pub Date: Nov. 1, 2003
ISBN: 0-689-85445-5
Page Count: 128
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
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