by Stuart M. Kaminsky ‧ RELEASE DATE: April 12, 1995
After his wife is stabbed to death during a bungled burglary attempt, Saginaw Park investment-broker Harvey Rozier asks that Sgt. Abe Lieberman be assigned to the case—even though Rozier murdered his wife himself and lives in fear that Lieberman will track down the hapless burglar who interrupted the killing. And he's not alone in his fear. While the witness, rabbity burglar and Sunday painter George (Pitty-Pitty) Patniks, hides under the covers from Rozier and the cops, Dr. Jacob Berry—the new Uptown Chicago police physician—cowers in his office with his illegal handgun, terrified of three teenagers who taunted him from a nearby el platform. And Lieberman's partner, Bill Hanrahan, who's bent on breaking Rozier's careful alibi, feels the heat from a Chinatown elder determined to keep him from marrying Iris Chen. The only comic relief comes on the home front, when Lieberman and his wife find their home invaded by a neighboring rabbi obsessed with buying the place now, right now, tonight. Another stellar performance, alight with menace and compassion; and if it's not up to the lonely heights of Lieberman's Day (1994), very few procedurals are. The biggest mystery: Why isn't this outstanding series, now in its fourth book, pulling in the vast audience abandoned by Harry Kemelman's Rabbi Small?
Pub Date: April 12, 1995
ISBN: 0-8050-2576-6
Page Count: 224
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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by Chris Bohjalian ‧ RELEASE DATE: March 13, 2018
The moral overcomes the mystery in this sobering cautionary tale.
A hard-partying flight attendant runs afoul of Russian conspirators.
Cassandra Bowden, like her namesake, the prophetess who is never believed, has problems. A flight attendant since college, Cassie, now nearing 40, has a penchant for drinking to the blackout point and sleeping with strange men. On a flight to Dubai, while serving in first class, she flirts with hedge fund manager Alex Sokoloff, an American with Russian roots and oligarchic connections. She repairs to his hotel room, and during the drunken bacchanal that follows, Miranda, apparently a business acquaintance of Alex’s, visits with more vodka. The next morning Cassie wakes up next to Alex, who lies dead, his throat cut. She has blacked out much of the night, so although she’d grown rather fond of him, how can she be sure she didn’t kill him? Rushing back for the return flight, she decides not to disclose what happened, at least not until she's back home in New York City, where the justice system is arguably less draconian than in Dubai. At JFK, the FBI interviews the deplaning crew, and Cassie plays dumb. Unfortunately, her walk of shame through the hotel lobby was captured on security cam. Sporadically intercut with Cassie’s point of view is that of Elena, a Russian assassin for hire, who had presented herself as Miranda in Alex’s hotel room. After being thwarted by Cassie’s presence from executing Alex then, she returned to finish the job but decided not to make collateral damage of his passed-out bedmate, a bad call she must rectify per her sinister handler, Viktor. In the novel’s flabby midsection, Cassie continues to alternately binge-drink and regret the consequences as her lawyer, her union, and even the FBI struggle to protect her from herself. Although Bohjalian (The Sleepwalker, 2017, etc.) strives to render Cassie sympathetic, at times he can’t resist taking a judgmental stance toward her. As Cassie’s addiction becomes the primary focus, the intricate plotting required of an international thriller lags.
The moral overcomes the mystery in this sobering cautionary tale.Pub Date: March 13, 2018
ISBN: 978-0-385-54241-8
Page Count: 368
Publisher: Doubleday
Review Posted Online: Dec. 6, 2017
Kirkus Reviews Issue: Jan. 1, 2018
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by James Patterson ‧ RELEASE DATE: Jan. 23, 1988
Patterson's thrillers (Virgin, 1980; Black Market, 1986) have plummeted in quality since his promising debut in The Thomas Berryman Number (1976)—with this latest being the sorriest yet: a clanky and witless policer about a criminal mastermind and the cop sworn to take him down. Aside from watching sympathetic homicide dick John ("Stef") Stefanovich comeing to terms with a wheelchair-bound life—legacy of a shotgun blast to the back by drug-and-gun-running archfiend Alexandre St.-Germain—the major interest here lies in marvelling at the author's trashing of fiction convention. The whopper comes early: although St.-Germain is explicity described as being machine-gunned to death by three vigilante cops in a swank brothel (". . .a submachine gun blast nearly ripped off the head of Alexandre St.-Germain"; "The mobster's head and most of his neck had been savaged by the machine-gun volley. The body looked desecrated. . ."), before you know it this latter-day Moriarty is stepping unscathed out of an airplane. What gives? Authorial cheating, that's what—thinly glossed over with some mumbling later on about a "body double." Not that St.-Germain's ersatz death generated much suspense anyway, with subsequent action focusing on, among other items, the gory killings of assorted mob bosses by one of the vigilante cops, and Stef's viewing of pornographic tapes confiscated from that brothel. But readers generous enough to plod on will get to read about the newly Lazarus-ized St.-Germain's crass efforts to revitalize and consolidate the world's crime syndicates ("the Midnight Club"), Stef's predictable tumble for a sexy true-crime writer, and how (isn't one miracle enough for Patterson?) at book's end Stef walks again and gets to embrace a rogue cop who's murdered several people. Ironsides with a badge and a lobotomy.
Pub Date: Jan. 23, 1988
ISBN: 0446676411
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Oct. 3, 2011
Kirkus Reviews Issue: Jan. 1, 1988
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by MrBeast & James Patterson
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