by Stuart Pivar ‧ RELEASE DATE: N/A
An intriguing work of new ideas on the cutting edge of biology, though not for the uninitiated.
Lavishly illustrated examination of the theory of biological self-organization—territory unfamiliar to most.
The theory of self-organization is an attempt to answer the continuing and ancient question of how the organism develops from a solitary fertilized egg to achieve its final form in maturity. Pivar believes that biology as a discipline has no overarching theoretical principle to explain the process of ontological development. He begins with a detailed description of the tensile strength of the toroidal sphere and how that funnel bi-layer shape is an ideal flexible vessel designed to facilitate the progression from single cell to full-fledged organism. He posits that the specific pattern of development of the species is already encoded at the cellular level and elaborated through physical and chemical dynamic processes. While the genome can specify certain traits of the animal, it cannot account for the process of the developmental sequence of the emerging biological form. In a similar vein, he rejects the principle of random mutation or natural selection precisely because these Darwinian concepts stress the crucial input of the environment in promoting adaptive evolutionary change along a continuum. He describes and illustrates the developmental sequence of flora and fauna from the basic toroidal sphere, stating that every life form grows from the same hypothesized point of origin as the inner layer undergoes continuous embryological transformation that is specific to each animal, flower or insect. The presentation of the biological self-organization theory, unorthodox at best since it minimizes accepted doctrines in biology, is highly disorganized. By immediately discussing and defining the mechanical properties of the torus and more specifically the toroidal sphere, Pivar is launching the reader into highly unfamiliar–and often disorienting–territory, a situation worsened by liberal use of terminology that is discipline-dependent. It is only in the concluding chapters that the relation of the torus principle to ontological and philological development is clarified.
An intriguing work of new ideas on the cutting edge of biology, though not for the uninitiated.Pub Date: N/A
ISBN: 0-9749860-0-3
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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