by Stuart Woods ‧ RELEASE DATE: April 1, 2011
Redoubtable Stone not only beds the best women and corrals the best lifestyle perks but succeeds so well in his job that...
Stone Barrington (Lucid Intervals, 2010, etc.) fights to protect a Hollywood studio from a takeover bid that goes way beyond hostile.
Arrington Calder, the most durable of Stone’s former lovers, wants the father of her son to come to La-La-Land to vote the shares in Centurion Studios her late husband, six-time Oscar-winning star Vance Calder, left her. By the time Stone and his NYPD ex-partner, Lt. Dino Bacchetti, land in L.A., Arrington’s changed her mind, in the first of many plot complications that go nowhere. As Stone settles into Arrington’s guest house and the battle lines form, it becomes clear that investor Terry Prince’s bid to purchase a controlling interest in Centurion from Arrington and its other leading shareholders—ancient Centurion CEO Rick Barron, Hollywood heiress Jennifer Harris and Jim Long, currently sitting in jail accused of conspiring to murder Santa Fe attorney Ed Eagle (Santa Fe Edge, 2010, etc.)—is seriously bad news. For one thing, Terry’s plan to build a hotel on Centurion’s land would gut the studio. For another, his money is coming from Mexican and Colombian drug lords. Finally, his determination to close the deal crosses the line to murder, as Jennifer Harris discovers to her sorrow. Remaining cool throughout (his reaction when his Mercedes is blown up: “I guess we’d better take the Bentley”), Stone helps Centurion fend off this unwanted suitor while he thwarts equally aggressive subplots from Terry’s beautiful, frigid executive assistant Carolyn Blaine and Ed Eagle’s homicidally resourceful ex-wife.
Redoubtable Stone not only beds the best women and corrals the best lifestyle perks but succeeds so well in his job that he’s rewarded with a full partnership in his law firm and a large share of control over Centurion himself. What a guy.Pub Date: April 1, 2011
ISBN: 978-0-399-15736-3
Page Count: 304
Publisher: Putnam
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 15, 2011
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by J.A. Jance ‧ RELEASE DATE: April 2, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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by Karin Slaughter ‧ RELEASE DATE: Sept. 29, 2015
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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