More bedmates for the hero, two of them new, and a higher body count than usual, but otherwise the same mixture as before.
President Holly Barker’s inauguration may be complicated by murder, but it’s all in a day’s work for her lover, attorney Stone Barrington.
Returning to the suite they’ve booked at the Hay-Adams Hotel, Stone and his friends Dino and Viv Bacchetti trip over the body of Patricia Clark. By the time the strangling hits the newspapers, Holly has already scratched the appointment of Patricia's soon-to-be ex-husband, billionaire businessman Donald Clark, as Secretary of Commerce, and D.C. police chief Deborah Myers, Clark’s rumored lover, is about to reject Lt. Art Jacoby’s nomination of Clark as the killer and go after Jacoby in that role instead. This plot, as so often in Stone’s adventures, goes nowhere. But at least Stone’s dalliance with aspiring movie actress Lara Parks leads to some satisfying sex, though Lara has to decamp to make room for Holly when she’s able to sneak off to LA to resume her long-running affair with Stone. The execution of the bodyguard Dino has assigned to Jacoby—Dino's the New York City police commissioner—turns up the heat on Clark and Myers until one of them is murdered too. Eddie Craft, a fortuitous witness who saw the perpetrator of this last crime, hightails it to England, where he’s immediately sucked into a scheme to steal paintings by Stone’s late mother from Stone’s estate in Hampshire. So everything in this daisy chain is more or less connected, though not in any way you might have expected.
More bedmates for the hero, two of them new, and a higher body count than usual, but otherwise the same mixture as before.Pub Date: Oct. 13, 2020
ISBN: 978-0-593-18832-3
Page Count: 320
Publisher: Putnam
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
Even when King is not at his best, he’s still good.
Two killers are on the loose. Can they be stopped?
In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.
Even when King is not at his best, he’s still good.Pub Date: May 27, 2025
ISBN: 9781668089330
Page Count: 448
Publisher: Scribner
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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