An inviting, intimate look at ordinary people living through times of momentous change.
Chang’s character-driven novel chronicles strikingly different eras in the East and West.
In the late 1960s, Mao’s Cultural Revolution in China is in full swing. It has a particular impact on a young woman named Lemei; she loves reading, but by 1967 certain books are no longer acceptable. When her teacher is arrested for being a “true People’s Enemy,” it is clear that things are only going to get worse. But even as events threaten Lemei’s family, she manages to survive (as a Red Guard leader, no less), and she later becomes a newspaper reporter (who is only allowed to print what the party wants). In the 2000s, Lemei’s daughter, Lin, heads to California for college. Although Lin’s English is excellent, she still struggles with things like idioms and finds “Her new tongue could never catch up with her thoughts.” Idioms will prove to be just one of her challenges as she adjusts to a different culture. Though Lin majors in math, she decides she wants to be a writer, and, much to her mother’s horror, she expresses her desire to join an experimental theater group in Toronto. Lemei, Lin, and their respective struggles are just a portion of this expansive narrative: From Lemei working in China as a reporter in 1989, to Lin trying to process her roommate’s penchant for group sex, to a Russian man’s immigrant story in Canada, the characters all have compelling stories to tell. The intricate plot keeps the novel moving along with some punchy, even funny prose despite the heavy subject matter. (For instance, when Lin sees her polyamorous roommate approaching like “a wild manga spirit,” she runs the other way, “as if the moral corruption were airborne and contagious.”) Although some unnecessary dialogue prolongs the story, this is an accessible tale about enticingly complex individuals.
An inviting, intimate look at ordinary people living through times of momentous change.Pub Date: March 4, 2025
ISBN: 9781487013172
Page Count: 384
Publisher: House of Anansi Press
Review Posted Online: June 4, 2025
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A delightfully nostalgic novel about how the things we loved in the past have the power to shape our future.
A boy band cruise is the site of one woman’s post-divorce healing.
Annie never meant to end up alone on a Boy Talk cruise, but that’s exactly what happens when her sister breaks a leg and has to bow out of their vacation. Now Annie is sharing a cabin with a stranger, stuck on the cruise ship American Fantasy with the 1990s band—and thousands of their biggest fans, known as Talkers. Annie doesn’t consider herself a Talker, even if she was a fan back in the day. But reeling from a recent divorce and dealing with complex feelings about turning 50, Annie throws herself into the distraction of the trip. What she doesn’t expect is to truly connect with the music, the band, the other fans, and herself. As Annie observes, “This was why people turned to religion or watched the Super Bowl at a sports bar instead of alone in their living room. It felt good to be a part of something where your passion was celebrated instead of mocked.” All the Talkers dream of having a special bond with “the guys,” but when Annie actually does meet Keith, a Boy Talk member who’s clearly going through a hard time, she wonders if their connection is real or if she’s just as delusional as the other (mostly) women on the ship. Straub depicts a wonderfully immersive world aboard the American Fantasy, one where each woman assigns herself a favorite guy and everyone is bedecked in Boy Talk merch. For five days, the Talkers live in a fantasy world where the only thing that matters is their connection with a band that meant everything to them so many years ago. As Annie puts it, “Inside her head, which is where she heard the music, it had touched some lever so deep that it couldn’t be reversed…the music was a direct vein to her own childhood, the least complicated part of her life.”
A delightfully nostalgic novel about how the things we loved in the past have the power to shape our future.Pub Date: April 7, 2026
ISBN: 9798217046850
Page Count: 304
Publisher: Riverhead
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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