A funny, immersive portrait of an unusual working relationship.
A teenager becomes the scribe of a former fashion icon in this debut literary novel.
Self-conscious 17-year-old Bradley McCreedy responds to an unusual job posting hung in the window of a newsagent’s shop in London: “Wanted!!! Urgent!!! Refined, respectable lady authoress seeks domestic assistant of same ilk. Usual rates.” When he calls the number, the daughter of his potential boss warns him he’ll be working for a dotty older woman, but that’s only the half of it. Eloise Slaughter lives in a stately but filthy mansion, as attentive to her wardrobe and makeup as she is inattentive to the dishes piled up everywhere. She hires Bradley not only to help straighten the place up—something the slightly OCD teen is glad to do—but also to help her with her memoirs. To hear Eloise tell it, she was the high priestess of London fashion in the 1960s and ’70s. Bradley thinks she’s off her rocker, but he takes the job, in part because Eloise doesn’t comment on the massive birthmark on his forehead. She’s certainly a dotty older woman—complete with a locked room he isn’t allowed to go into—but it turns out she isn’t lying about her past. At least not entirely. An unlikely friendship emerges, one that will pay dividends for both parties—at least so long as Bradley doesn’t overreach and bring the whole thing crashing down. Clark is a remarkable ventriloquist, alternating from the working-class vernacular of Bradley to the posh theatricality of Eloise with each chapter. Here, Bradley, who eventually moves into the mansion full time, comments on Eloise’s nocturnal activities: “She prowls at night. I hear her tip-tapping up and down the hallway. Mostly I reckon she gets up to fiddle with her puzzles—loves her jigsaws, Miss E—but sometimes she trots down the corridor in my direction. First time she done that, it got my heart pumping, I can tell you. Lying there, thinking, What if she comes in here and starts acting all weird an’ that?” The characters are richly drawn, and readers will quickly become invested in the odd couple, as individuals and as friends. The story is a pleasure all the way through.
A funny, immersive portrait of an unusual working relationship.Pub Date: N/A
ISBN: 978-1-78-965093-8
Page Count: 291
Publisher: Unbound
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: July 1, 2021
Review Program: Kirkus Indie
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
