A funny, immersive portrait of an unusual working relationship.
A teenager becomes the scribe of a former fashion icon in this debut literary novel.
Self-conscious 17-year-old Bradley McCreedy responds to an unusual job posting hung in the window of a newsagent’s shop in London: “Wanted!!! Urgent!!! Refined, respectable lady authoress seeks domestic assistant of same ilk. Usual rates.” When he calls the number, the daughter of his potential boss warns him he’ll be working for a dotty older woman, but that’s only the half of it. Eloise Slaughter lives in a stately but filthy mansion, as attentive to her wardrobe and makeup as she is inattentive to the dishes piled up everywhere. She hires Bradley not only to help straighten the place up—something the slightly OCD teen is glad to do—but also to help her with her memoirs. To hear Eloise tell it, she was the high priestess of London fashion in the 1960s and ’70s. Bradley thinks she’s off her rocker, but he takes the job, in part because Eloise doesn’t comment on the massive birthmark on his forehead. She’s certainly a dotty older woman—complete with a locked room he isn’t allowed to go into—but it turns out she isn’t lying about her past. At least not entirely. An unlikely friendship emerges, one that will pay dividends for both parties—at least so long as Bradley doesn’t overreach and bring the whole thing crashing down. Clark is a remarkable ventriloquist, alternating from the working-class vernacular of Bradley to the posh theatricality of Eloise with each chapter. Here, Bradley, who eventually moves into the mansion full time, comments on Eloise’s nocturnal activities: “She prowls at night. I hear her tip-tapping up and down the hallway. Mostly I reckon she gets up to fiddle with her puzzles—loves her jigsaws, Miss E—but sometimes she trots down the corridor in my direction. First time she done that, it got my heart pumping, I can tell you. Lying there, thinking, What if she comes in here and starts acting all weird an’ that?” The characters are richly drawn, and readers will quickly become invested in the odd couple, as individuals and as friends. The story is a pleasure all the way through.
A funny, immersive portrait of an unusual working relationship.Pub Date: N/A
ISBN: 978-1-78-965093-8
Page Count: 291
Publisher: Unbound
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: July 1, 2021
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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