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MINE!

A sweet, simple addition to the parade of pedagogical books about sharing.

Playtime isn't easy when you have three toys and four kids—or is it?

Amy is very attached to her blankie, Bear, Bunny and Bird. “I love you all,” she tells them, “because we're together and you're MINE.” Enter twins Zack and Jack to disturb her halcyon moment. “Can we play?” they ask, but without waiting for a definitive answer, they pick up Bear and Bunny and carelessly toss them in the air. Next, angry Amy engages the twins in a toy tug of war. Meanwhile, while no one is looking, Baby Joe has entered the scene, taking his place on Amy's blanket and scooping up Bird, which he squeezes and kisses. When Amy sees her toy has been confiscated, she snatches it away. Baby Joe stands small and alone on the page, eyebrows slanted upward in distress, smile turned to frown. The sight of the woebegone baby stops all three. “He's all alone…without a toy,” the twins observe. Amy has the solution. The illustrations. rendered in vibrant colored pencil and acrylic, have no background—only a simple horizon line, which keeps the focus on the characters. The human figures have sizable faces, emphasizing their expressions and emotions. Sharp-eyed readers will see that the toys themselves are troubled by the strife, and their smiling faces (and beaks) reflect their happiness when fair play resumes.

A sweet, simple addition to the parade of pedagogical books about sharing. (Picture book. 2-5)

Pub Date: Oct. 1, 2014

ISBN: 978-0-7636-6888-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: Sept. 13, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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A KISSING HAND FOR CHESTER RACCOON

From the Kissing Hand series

Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original...

A sweetened, condensed version of the best-selling picture book, The Kissing Hand.

As in the original, Chester Raccoon is nervous about attending Owl’s night school (raccoons are nocturnal). His mom kisses him on the paw and reminds him, “With a Kissing Hand… / We’ll never be apart.” The text boils the story down to its key elements, causing this version to feel rushed. Gone is the list of fun things Chester will get to do at school. Fans of the original may be disappointed that this board edition uses a different illustrator. Gibson’s work is equally sentimental, but her renderings are stiff and flat in comparison to the watercolors of Harper and Leak. Very young readers will probably not understand that Owl’s tree, filled with opossums, a squirrel, a chipmunk and others, is supposed to be a school.

Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original shouldn’t look to this version as replacement for their page-worn copies. (Board book. 2-4)

Pub Date: April 1, 2014

ISBN: 978-1-933718-77-4

Page Count: 14

Publisher: Tanglewood Publishing

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: July 1, 2014

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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