Cuts from character to character and one year to another make for a choppy ride.
Middling debut thriller about a group of troubled teenagers and the dark secret that stalks them after they become adults.
What awful deed took place by the shores of Loch Fyne oh-so-many years ago? Walker, a BBC investigative journalist, will remind her readers again and again that something tragic indeed happened on that outing to the Scottish Highlands in the late 1970s. The perpetrators were a group of disturbed teenagers lodged at The Unit, a mental home near Edinburgh. In the chapters set way back when, tensions among the gang are clearly ready to combust. Danny Rintoul is a child rapist. In her manic phases, pyromaniac Lydia Young explodes, threatening to torch the place. Alex Baxendale steps boldly out of the closet and launches an affair with a woman on the staff. Innes Haldane is less troubled, more treatable, and thus, by the time she’s an adult, one of the group’s better-adjusted graduates. But whatever happened in the Highlands claims its due years later, first on Innes, then on all the others. A former member of the group leaves Innes a phone message that goes unanswered. Then the caller turns up dead. Shortly after that, another group member dies, an apparent suicide. And then someone kidnaps yet another former member’s child. The author’s ’70s and present-day plot lines circle each other like jets in a drawn-out holding pattern. Like a good flight attendant, she parses out clues to her passengers and keeps promising that something big is coming. But it’s not enough to prevent riders (or readers) from growing weary. Alternating points of view and characterizations that don’t go beyond basic psychiatric diagnoses keep empathy, and thus suspense, at bay. The ending does deliver: the awful deed was indeed awful.
Cuts from character to character and one year to another make for a choppy ride.Pub Date: Oct. 1, 2004
ISBN: 0-06-072609-1
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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