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THE HEN WHO DREAMED SHE COULD FLY

A subtle morality tale that will appeal to readers of all ages.

Published to great success in Korea, Hwang’s short novel is an adroit allegory about life.

Sprout’s a caged laying hen on a small farm. Sprout yearns for freedom, for a chance to mother one of the eggs taken from her. She has given herself the name Sprout because she "wanted to do something with her life, just like the sprouts on the acacia tree," something she only sees in her rare glimpses of the world outside flourishing in the barnyard. In her discontent, Sprout grows morose, frail, only to find herself culled from the flock and tossed into the "Hole of Death." Sprout, near suffocation, hears a warning from Straggler, a stray mallard duck tagging along with the farm’s other ducks. She’s in danger of being scavenged by a weasel. That night, Sprout slips into the barn with the other farm animals, but she’s shunned. The lonely Sprout decides to follow Straggler and one of the other ducks out beyond the farm. The other duck is killed, but Sprout finds her egg. With brave Straggler standing watch for the deadly weasel, Sprout broods the egg, thinking, "My dreams are coming true." But after the egg hatches, she begins to comprehend that Baby, as she calls him, will grow to become Greentop, a duckling with his own destiny. Hwang has penned an anthropomorphic allegory with allusions to prejudice, to sacrifice and to the recognition of destiny, a fable in the vein of classics like Charlotte’s Web and Jonathan Livingston Seagull. Hwang’s story of Sprout also speaks of family and love, of courage and loss, and of the value of the individual in the face of mindless conformity. Translator Kim does stellar work in rendering the tale into colloquial English, and the narrative is decorated with minimalist pen-and-ink drawings from the Japanese artist Nomoco.

A subtle morality tale that will appeal to readers of all ages.

Pub Date: Nov. 26, 2013

ISBN: 978-0-14-312320-0

Page Count: 144

Publisher: Penguin

Review Posted Online: Sept. 15, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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