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PIGS WILL FLY

Young readers should devour this mile-a-minute introduction to Kessie’s bracingly eclectic adolescent life.

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In this middle-grade debut, a recently deaf girl moves to the Special Needs class, where she finds unexpected friendship.

Eleven-year-old Kessie is the star pupil of East Bay Primary in St. Lucia. She loves Greek mythology and English idioms, and she’s always playing with language. Kessie has two great problems in life: Though she has a close but stormy relationship with her mum, she’s never known her father. Also, she’s been deaf for three months, the likely permanent result of an ear infection. Add a class bully and a new teacher (Teacher Piper) who seems to despise her, and Kessie’s immediate future looks grim. Then Teacher Haden—whom Kessie loves and wishes would marry her mother—invites her to join his Special Needs class. At first Kessie is insulted. But Teacher Haden tells her of another new girl she won’t want to miss: Milly, a Black albino who knows sign language and also loves Greek mythology. Reluctantly, Kessie agrees to switch. But she soon finds not only that she fits in well with the free spirits of the Special Needs class, but also that her mother and the two teachers have a secret history together. The author writes in the first person and immerses readers in Kessie’s narrative. Kessie’s 11-year-old voice is thoroughly convincing. The only off note comes from the author’s omission of vocative commas (for example: “Try Kessie” rather than “Try, Kessie”; “The piglets need to suckle Haden” rather than “The piglets need to suckle, Haden”), the absence of which doesn’t gel well with Kessie’s voracious appetite for reading and language. Kessie is an in-your-face, somewhat exhausting but always compelling protagonist. Her classmates emerge as quirky, relatable individuals, as do the adult characters. True to the middle-grade world in real life, events in the story pile up quickly and assume momentous importance to their subjects.

Young readers should devour this mile-a-minute introduction to Kessie’s bracingly eclectic adolescent life.

Pub Date: Nov. 20, 2023

ISBN: 978-2952838344

Page Count: 223

Publisher: Self

Review Posted Online: Feb. 12, 2024

Kirkus Reviews Issue: April 15, 2024

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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