A strong debut though also flawed, most notably by inconsistency in voice. Usually, Reesa has the true perspective of a...



Real-life events of the burgeoning civil-rights movement of 1951 are blended with one white girl’s struggle to understand the murder of her black friend.

The South doesn’t get any deeper than Central Florida in 1951, especially for the McMahon family, northerners who came to Florida for the citrus business and have found a community both of cruel traditions and hope. Thirteen-year-old Reesa’s narrative begins with the brutal murder of her friend Marvin Cully. A surrogate big brother and employee of the McMahon’s, young Marvin is beaten to death by the Klan, who mistake him for someone else. Unfortunately, small-town Mayflower and the surrounding burgs are indeed Klan country, members coming from both law enforcement and the area’s most powerful families. The death of one black boy means nothing. Even the local FBI are in the pockets of, or at least sympathetic to, the Klan. The loss of innocence for Reesa (months tick by as Marvin’s murder goes unsolved) is played against the early struggles of Civil Rights as Thurgood Marshall visits the McMahons to investigate Marvin’s death. Reesa’s family becomes ever more involved as the Klan becomes more violent—the historically real bombings of black neighborhoods, synagogues, and Catholic churches in Miami that year are tied to McCarthy's characters, both fictional and real. When Reesa's little brother Ren is grazed by a Klan bullet, the McMahon family, with the help of Marvin’s parents, hatch a plan with the FBI to bring down the local Klan.

A strong debut though also flawed, most notably by inconsistency in voice. Usually, Reesa has the true perspective of a child; at other times McCarthy gives her an older, overly intellectual understanding of events—testament to the challenge of telling an intricate tale through the eyes of one unable to grasp all of life’s complexities.

Pub Date: Jan. 29, 2002

ISBN: 0-553-80169-4

Page Count: 228

Publisher: Bantam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2001

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An exuberant comic opera set to the music of life.

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The versatile and accomplished McBride (Five Carat Soul, 2017, etc.) returns with a dark urban farce crowded with misjudged signals, crippling sorrows, and unexpected epiphanies.

It's September 1969, just after Apollo 11 and Woodstock. In a season of such events, it’s just as improbable that in front of 16 witnesses occupying the crowded plaza of a Brooklyn housing project one afternoon, a hobbling, dyspeptic, and boozy old church deacon named Cuffy Jasper "Sportcoat" Lambkin should pull out a .45-caliber Luger pistol and shoot off an ear belonging to the neighborhood’s most dangerous drug dealer. The 19-year-old victim’s name is Deems Clemens, and Sportcoat had coached him to be “the best baseball player the projects had ever seen” before he became “a poison-selling murderous meathead.” Everybody in the project presumes that Sportcoat is now destined to violently join his late wife, Hettie, in the great beyond. But all kinds of seemingly disconnected people keep getting in destiny's way, whether it’s Sportcoat’s friend Pork Sausage or Potts, a world-weary but scrupulous white policeman who’s hoping to find Sportcoat fast enough to protect him from not only Deems’ vengeance, but the malevolent designs of neighborhood kingpin Butch Moon. All their destines are somehow intertwined with those of Thomas “The Elephant” Elefante, a powerful but lonely Mafia don who’s got one eye trained on the chaos set off by the shooting and another on a mysterious quest set in motion by a stranger from his crime-boss father’s past. There are also an assortment of salsa musicians, a gentle Nation of Islam convert named Soup, and even a tribe of voracious red ants that somehow immigrated to the neighborhood from Colombia and hung around for generations, all of which seems like too much stuff for any one book to handle. But as he's already shown in The Good Lord Bird (2013), McBride has a flair for fashioning comedy whose buoyant outrageousness barely conceals both a steely command of big and small narrative elements and a river-deep supply of humane intelligence.

An exuberant comic opera set to the music of life.

Pub Date: March 3, 2020

ISBN: 978-0-7352-1672-3

Page Count: 384

Publisher: Riverhead

Review Posted Online: Dec. 9, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her...


Avery Stafford, a lawyer, descendant of two prominent Southern families and daughter of a distinguished senator, discovers a family secret that alters her perspective on heritage.

Wingate (Sisters, 2016, etc.) shifts the story in her latest novel between present and past as Avery uncovers evidence that her Grandma Judy was a victim of the Tennessee Children’s Home Society and is related to a woman Avery and her father meet when he visits a nursing home. Although Avery is living at home to help her parents through her father’s cancer treatment, she is also being groomed for her own political career. Readers learn that investigating her family’s past is not part of Avery's scripted existence, but Wingate's attempts to make her seem torn about this are never fully developed, and descriptions of her chemistry with a man she meets as she's searching are also unconvincing. Sections describing the real-life orphanage director Georgia Tann, who stole poor children, mistreated them, and placed them for adoption with wealthy clients—including Joan Crawford and June Allyson—are more vivid, as are passages about Grandma Judy and her siblings. Wingate’s fans and readers who enjoy family dramas will find enough to entertain them, and book clubs may enjoy dissecting the relationship and historical issues in the book.

Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her fictional characters' lives.

Pub Date: June 6, 2017

ISBN: 978-0-425-28468-1

Page Count: 352

Publisher: Ballantine

Review Posted Online: March 21, 2017

Kirkus Reviews Issue: April 1, 2017

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