A charming, thought-provoking walk in the woods.
Charkes (Outdoors With Kids—Philadelphia, 2013, etc.) shares a collection of countryside-inspired essays, many previously published.
This compilation opens with a thoughtful examination of Bucks County, Pennsylvania, history as seen through the art of 19th-century folk painter Edward Hicks and the writings of William Penn. In this essay, Charkes suggests an essential human need to connect with nature (“Through wildness comes peace”). Most people, she says, are disconnected: “For many of us, we have to take a car to get to a place that looks anything like…country.” She then suggests a course of action: “To know the wild, look from where you are, listen from where you stand. Here and now.” Each chapter begins with pretty, relevant black-and-white illustrations by artist Priestley, who also provided the color cover art. Each of four chapters is devoted to a particular season, followed by an epilogue featuring the haunting song of the veery, a small bird that the author notes is still audible in the increasingly urban landscape. She pays careful attention to natural elements in a world where small farms “still form part of the fabric of the landscape, but nowadays they are embroidery, no longer the warp and woof of a living rural culture.” The carefully crafted, engaging essays seamlessly interlace Ralph Waldo Emerson and Henry David Thoreau quotations with the unforeseen and whimsical. Charkes links the legendary Boston Red Sox player Carl Yastrzemski with the lowly dandelion flower and describes butterflies as doing “the insect equivalent of a pub crawl from one flowerhead to another.” With its minute, local detail, Charkes’ musings and gentle queries will resonate with all readers who wonder about the value of flowers and birdsong in an increasingly urban world.
A charming, thought-provoking walk in the woods.Pub Date: Oct. 28, 2013
ISBN: 978-0615902142
Page Count: 170
Publisher: N/A
Review Posted Online: Nov. 11, 2014
Review Program: Kirkus Indie
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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