A right jolly paean to the deliciousness of words.

THE WORD PIRATES

A tale of vocabulary-related piratical chicanery doubles as a touching ode to the deceased author Margaret Mahy.

Hungry pirates are nothing to mess with under ordinary circumstances, and these buccaneers are absolutely not ordinary. Capt. Rottingbones and his crew crave but one substance for their meals: words! With their Bumblebirds trained to steal from writers and books, the crew feasts on words both long (“antidisestablishmentarianism”) and short (“pop”). Their doom comes when the captain sets his sights on a rainbow-wigged New Zealand “Word Wizard” (a nod to Mahy, to whom this book is dedicated). Unafraid, she does battle with the pirates with her pen, ultimately chastening them and setting them on a new path in life. There is always room for one more tale about the power of the written word, and adding pirates to the mix lends a bit of spice and flavor to this one. Accompanying the rollicking storyline, Kellogg’s bright paintings, done in his signature style, fill his pages with busyness. The Bumblebirds look like white sea gulls, and the words they hunt droop from their beaks like dead fish. The pirates and other characters represent a variety of skin tones and genders while the Word Wizard and captain present white. One pirate has both an eye patch and a peg leg, but otherwise the captain’s crew is largely free of stereotype.

A right jolly paean to the deliciousness of words. (Picture book. 4-7)

Pub Date: Sept. 24, 2019

ISBN: 978-0-8234-4359-8

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

Did you like this book?

No Comments Yet

Between its autumn and field-trip themes and the fact that not many books start countdowns from 20, this may find its way to...

PUMPKIN COUNTDOWN

A class visits the pumpkin patch, giving readers a chance to count down from 20.

At the farm, Farmer Mixenmatch gives them the tour, which includes a petting zoo, an educational area, a corn maze and a tractor ride to the pumpkin patch. Holub’s text cleverly though not always successfully rhymes each child’s name within the line: “ ‘Eighteen kids get on our bus,’ says Russ. / ‘But someone’s late,’ says Kate. / ‘Wait for me!’ calls Kiri.” Pumpkins at the tops of pages contain the numerals that match the text, allowing readers to pair them with the orange-colored, spelled-out numbers. Some of the objects proffered to count are a bit of a stretch—“Guess sixteen things we’ll see,” count 14 cars that arrived at the farm before the bus—but Smith’s artwork keeps things easy to count, except for a challenging page that asks readers to search for 17 orange items (answers are at the bottom, upside down). Strangely, Holub includes one page with nothing to count—a sign marks “15 Pumpkin Street.” Charming, multicultural round-faced characters and lots of detail encourage readers to go back through the book scouring pages for the 16 things the kids guessed they might see. Endpapers featuring a smattering of pumpkin facts round out the text.

Between its autumn and field-trip themes and the fact that not many books start countdowns from 20, this may find its way to many library shelves. (Picture book. 4-7)

Pub Date: July 1, 2012

ISBN: 978-0-8075-6660-2

Page Count: 32

Publisher: Whitman

Review Posted Online: May 16, 2012

Kirkus Reviews Issue: June 1, 2012

Did you like this book?

No Comments Yet

A mind-stretching outlook that may help youngsters with change—and will certainly cause them to think.

THE END IS JUST THE BEGINNING

A cyclical take on life.

Endings can sometimes feel sad or heavy in their finality. But Bender reverses this perspective. In fact, the story starts, as a tiny caterpillar tells readers, with “THE END.” A young tot on a bed closing a book looks puzzled. Bender acknowledges the absurdity. “But wait—how can a book possibly start with the end? That’s ridiculous.” It’s not, once you change your frame of reference. Continuing in a conversational tone, Bender gives examples. Some are personal and immediate: “The end of a disagreement with someone … / is just the beginning of making up.” Others are more abstract: “When you count, the end of one number is just the beginning of the next number… / and so on and so on and so on, all the way to infinity, which, by the way, NEVER ends!” Two friends or perhaps siblings (one with brown skin and brown hair in two Afro puffs, the other with pale skin and straight, black hair) act out the scenarios, which are strung together over the course of a day from one morning to the next. Mayo’s illustrations also dance between concrete and abstract, illustrating disagreement with one kid scowling, sitting back to the other, who looks distressed, next to a ruined sand castle and infinity with an image of the two kids cycling along an enormous infinity sign. In a meta-infused closing, Bender concludes with “THE BEGINNING / (of discovering the next book).” A cleverly placed butterfly flits away. The hazy wash over muted tones gives a warm, cozy embrace to the message. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 48.2% of actual size.)

A mind-stretching outlook that may help youngsters with change—and will certainly cause them to think. (Picture book. 4-7)

Pub Date: April 20, 2021

ISBN: 978-1-984896-93-3

Page Count: 40

Publisher: Crown

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

Did you like this book?

No Comments Yet
more