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WHAT I LOVE ABOUT YOU

This could be a conversation starter about the manifestation of love between an adult-child reading pair…once they’ve parsed...

Farrington’s picture-book debut looks at all the things an adult caregiver loves about a child.

“I love when you / SMILE. // Right before you SING at the top of your lungs,” the narrator asserts. “I love when you’re CREATIVE. // Even when things get MESSY.” A caring adult loves holding hands but also loves when the child lets go to make a friend. The text may be similar to that found in numerous what-I-love-about-you books, but the mixed-media collages are distinctly unlike most in the genre. Photographs of found items, cut and digitally assembled, are placed on white backgrounds. Beautiful natural elements (vegetation, clouds, butterflies) stand out, especially the trees with teardrop-shaped leaves in rainbow hues. But the characters are something else. They may sport clothing and accessories and behave in human ways, but they are not at all human. Some are recognizable animals—a lion on a recumbent bike, for instance—but more are monsterlike creatures or hodgepodges of animal features; a yellow beast with a horselike snout, bug eyes, humanlike torso, and tiny arms and wings illustrates “getting messy,” for example. Readers may not know what to make of these sometimes-ugly beasts, which clash with the message delivered by the text, though they do nicely sidestep typical (and stereotypical) gender and racial depictions.

This could be a conversation starter about the manifestation of love between an adult-child reading pair…once they’ve parsed the attention-getting artwork. (Picture book. 3-7)

Pub Date: Dec. 1, 2016

ISBN: 978-0-06-239353-1

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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