by Susan Fromberg Schaeffer ‧ RELEASE DATE: April 1, 1993
Richly evocative double portrait of two extraordinary yet finally elusive women, silent-screen star Anna Asta and her Caribbean maid Ivy, who meet only after Anna's retirement from films but spend most of their alternating narratives recounting their earlier lives. The first half is dominated by Ivy's recollections of her magical, turbulent childhood on Green Island, but her life—even after the affair that takes her away from the Indies to Nostrand Avenue and a doomed marriage—continues to be shaped by Green Island ``story tailor'' Miss Blue, who listens to her dreams and troubles and then suggests new, more shapely or fulfilling endings. Meanwhile, Anna's life follows Greta Garbo's. Discovered in a Swedish shop by director Max Lilly (Mauritz Stiller), she's brought to Hollywood, where the shy, lumpish farm-girl takes The Studio (MGM) and town by storm in a string of Noble Sinner hits beginning with The Roses (The Torrent). Fired from her second American film, The Siren (The Temptress), Max returns to Sweden to die, while Anna, wondering what's become of a life that now seems compounded entirely of movies, lies, memories, and studio publicity, plunges into an affair with self-destructive costar Charlie Harrow (John Gilbert), a series of abortions, and a parade of fallen heroines until declining European markets force her to try a comedy, Double Trouble (Two-Faced Woman), which makes her realize, devastatingly, that both halves of her personality represented in the film have become equally unreal. A healing epilogue back on Green Island is more fervent than convincing. As usual with Schaeffer (Buffalo Afternoon, 1989, etc.), the weight of lived experience becomes overwhelming, at times oppressive, and the models for that experience—Garbo's career, Andersen's fairy tale ``The Snow Queen''—are designedly inadequate. Schaeffer's exquisite writing burrows too deeply inside her two heroines to allow them, or us, the comfort of wholeness.
Pub Date: April 1, 1993
ISBN: 0-394-58820-7
Page Count: 640
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
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BOOK REVIEW
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Ernest Hemingway ‧ RELEASE DATE: Oct. 15, 1937
A somewhat puzzling book, but — all in all — it is good Hemingway, and a sure sale. Key West and Cuba form the settings for a tough story of men at the end of their tether, grasping at any straw, regardless of risk, to turn a few dollars. Rum-running, smuggling aliens, carrying revolutionary arms. Gangsters, rich sportsmen, sated with routine, dissipated women and men — they are not an incentive to belief in the existence of decent people. But in spite of the hard-boiled, bitter and cruel streak, there is a touch of tenderness, sympathy, humanity. Adventure — somewhat disjointed. The first section seems simply to set the stage — the story starting after the prelude is over. The balance forms a unit, working up to a tragic climax and finale. There is something of The Sun Also Rises,and a Faulkner quality, Faulkner at his best. A book for men — and not for the squeamish. You know your Hemingway market. His first novel in 8 years.
Pub Date: Oct. 15, 1937
ISBN: 0684859238
Page Count: 177
Publisher: Scribner
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Oct. 1, 1937
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by Ernest Hemingway & edited by Verna Kale ; Sandra Spanier & Miriam B. Mandel
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by Ernest Hemingway with Patrick Hemingway ; edited by Brendan Hemingway & Stephen Adams
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by Ernest Hemingway ; edited by Seán Hemingway
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