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ON THIS SPOT

AN EXPEDITION BACK THROUGH TIME

Goodman follows the midtown area of New York City from the present day backwards, in irregular increments, to the Paleozoic era, providing “snapshots” of evolution along the timeline. The conclusion conveys the notion of constant transformation coming full circle beyond the present—when things will be different still. Goodman keeps the information about each historic era brief but engaging: “20,000 years ago . . . glaciers were so thick they would have buried today’s tallest buildings.” Conceptually, this measures the brevity of human history (four double-paged spreads) against the expanse of natural history (the rest of the work). For a generation that is sensitive to global warming, Christiansen’s pastels dramatize the climatic shifts, which could scarcely be more extreme. Full-bleed illustrations contain the words “170 million years ago . . . ” at the upper left and “but on this spot . . . ” at the lower right, giving readers both patterned repetition and a feeling of expectancy when turning the pages. With several points of access, this is not only illuminating but intriguing. (timeline, acknowledgements) (Picture book/nonfiction. 5-8)

Pub Date: April 1, 2004

ISBN: 0-688-16913-9

Page Count: 32

Publisher: Greenwillow Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2004

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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THE STREET BENEATH MY FEET

An unusual offering for the young geology nerd.

This British import is an imaginatively constructed sequence of images that show a white boy examining a city pavement, clearly in London, and the sights he would see if he were able to travel down to the Earth’s core and then back again to the surface.

The geologic layers are depicted in 10 vertical spreads that require a 90-degree turn to be read and include endpapers, which open out, concertina fashion, to show the interior of the Earth to its core. Beneath the urban setting are drains, pipes, and artifacts of urban infrastructure. Below that, archaeological relics are revealed. An Underground train speeds by, and below it, a stalactite-encrusted cave yawns. Deep below the Earth’s crust, magma, the Earth’s mantle, and the inner core are shown. Turn the page to start going up again, back through the mantle to the crust, where precious minerals are revealed, then fossils, tree roots, and animal burrows, ending with the same boy in the English countryside. The painted, stenciled, and collaged illustrations are full-bleed, and the tones graduate pleasantly from light colors at the surface of the Earth to rich pinks, yellows, and oranges as readers near the Earth’s core. The text is informative, if lacking in poetry, including such nuggets as “earthworms are expert recyclers, eating dead plants in the soil.”

An unusual offering for the young geology nerd. (Informational picture book. 5-8)

Pub Date: May 1, 2017

ISBN: 978-1-68297-136-9

Page Count: 20

Publisher: Words & Pictures

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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