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THE FASHION COMMITTEE

Entertaining, smart, and inspiring.

Talented teens vie for a highly coveted fashion scholarship.

British Columbian Juby (The Truth Commission, 2015, etc.) here presents the small-town (her own hometown of Nanaimo) drama of two public high school students who have their hearts set on gaining entry to an elite private arts school. Both Charlene “Charlie” Dean, a fashion-obsessed sophomore, and John Thomas-Smith, a “calm-and-aloof” type whose passion is metalworking, seek to better their circumstances and pursue their artistic dreams by winning the fashion-design competition for a one-year scholarship to Green Pastures Academy, which boasts “the best fashion program of any high school in the country” and which, incidentally, neither of their families can afford. Though seemingly antagonists, alternating narrators John and Charlie, both white, serve rather as dueling protagonists whose compelling struggles are revealed through the distinctively voiced diaries they must keep in the months leading up to the fashion show. Juby’s thoughtful bildungsroman excels in showcasing and normalizing those on society’s fringe—whether it be in her bold portrayal of differing socio-economic class issues or subtle examination of gender identity. Her tale gains great momentum from the grit and ingenuity Charlie, who believes the “most chic thing is self-sufficiency,” exhibits in tackling hurdles, resulting from being a child of drug abusers, alongside John, who’s also a child of largely absent parents and whose snarky bitterness makes an excellent foil to Charlie’s ebullience.

Entertaining, smart, and inspiring. (Fiction. 12-18)

Pub Date: May 2, 2017

ISBN: 978-0-451-46878-9

Page Count: 320

Publisher: Viking

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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