From the commanding cover illustration to the playful image on the back, simply spectacular.
An ambitious project: The text on each vibrant, double-page collage, arranged vertically, intersperses the near-extinction and slow comeback of the Puerto Rican parrot with over 2,000 years of human history.
“Above the treetops of Puerto Rico flies a flock of parrots as green as their island home….[T]hey nearly vanished from the earth forever. This is their story.” From this dramatic beginning onward, both artwork and text encourage slow absorption of each spread before the turn of the page. Various peoples—from unnamed aboriginals to Taínos, Europeans, Africans and eventually North Americans—brought with them new flora, fauna and habits, all contributing to the demise of the native birds. Finally, in 1968, two governments began the work that continues today to restore the wild flocks. There are fascinating details about a 1539 fortress wall, leather jackets worn by parrots during hawk-avoidance training and materials used to mend an injured wing. The onomatopoeic derivation of the parrots’ Taíno name, iguaca, is developed nicely in its repeated use as the parrots’ call. By turns poetic and scientific, the text offers a wealth of information. Every paper-and-fabric collage is frame-worthy, from depictions of waterfalls and rain forest to sailing ships, hazards and, of course, parrots.
From the commanding cover illustration to the playful image on the back, simply spectacular. (afterword, photos, chronology, sources) (Informational picture book. 8-14)Pub Date: Oct. 20, 2013
ISBN: 978-1-62014-004-8
Page Count: 48
Publisher: Lee & Low Books
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
This delightful debut welcomes readers in like a house filled with love.
A 13-year-old biracial girl longs to build the house of her dreams.
For Lou Bulosan-Nelson, normal is her “gigantic extended family squished into Lola’s for every holiday imaginable.” She shares a bedroom with her Filipina mother, Minda—a former interior-design major and current nurse-to-be—in Lola Celina’s San Francisco home. From her deceased white father, Michael, Lou inherited “not-so-Filipino features,” his love for architecture, and some land. Lou’s quietude implies her keen eye for details, but her passion for creating with her hands resonates loudly. Pining for something to claim as her own, she plans to construct a house from the ground up. When her mom considers moving out of state for a potential job and Lou’s land is at risk of being auctioned off, Lou stays resilient, gathering support from both friends and family to make her dream a reality. Respicio authentically depicts the richness of Philippine culture, incorporating Filipino language, insights into Lou’s family history, and well-crafted descriptions of customs, such as the birdlike Tinikling dance and eating kamayan style (with one’s hands), throughout. Lou’s story gives voice to Filipino youth, addressing cultural differences, the importance of bayanihan (community), and the true meaning of home.
This delightful debut welcomes readers in like a house filled with love. (Fiction. 8-13)Pub Date: June 12, 2018
ISBN: 978-1-5247-1794-0
Page Count: 240
Publisher: Wendy Lamb/Random
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
BOOK REVIEW
BOOK REVIEW
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