Meyer’s first book, Black Radishes (2010), was about a family’s escape from the Nazis. This sequel may feel like a relief, at first.
It would be possible to read the first half of this book and decide that it’s a story with no conflict. Or, rather, there’s conflict everywhere: poverty, war, and racism; it’s just that very little of the conflict happens to Gustave. His family has moved to America from France, and they have very little money. Gustave’s struggles are almost mundane. He can’t afford the long pants his friends are wearing, and—because of his limited English skills—other students try to trick him into saying rude things to a pretty girl. More often than not, he’s pretty happy. He’s made new friends and found a job as a delivery boy. The story is a series of small incidents. Some of the best scenes are tiny jokes about Chiquita bananas and candy bars. (Gustave has trouble making sense of the word “butterfingers.”) But those moments add up, and readers may gradually start to think of the characters as close friends. The later chapters of the book involve real danger. Gustave and his best friend, a black girl, are caught in the middle of a riot. And by then, the conflict might feel like it’s happening to people the readers have always known.
A sweet book that readers will find sneaks up on them. (Historical fiction. 9-12)Pub Date: April 12, 2016
ISBN: 978-0-385-74155-2
Page Count: 320
Publisher: Delacorte
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S HISTORICAL FICTION
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The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.
Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)Pub Date: April 1, 1989
ISBN: 0547577095
Page Count: 156
Publisher: Houghton Mifflin
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: March 15, 1989
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S HISTORICAL FICTION
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Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.
In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.
Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-24575-2
Page Count: 336
Publisher: Scholastic
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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