While the charming illustrations give this title great shelf appeal, lack of narrative depth makes it best suited for...
A Peruvian príncipe sets out to foil his mamá and marry the girl of his dreams in this Latinx-inspired adaptation of “The Princess and the Pea” from Spanish-language–adaptation veteran Elya (La Madre Goose, 2016, etc.).
En route to her own castle, the titular princesa catches the eye of the prince, who invites her to stay the night. The classic Hans Christian Andersen tale unfolds with Latin flair in rhyming couplets sprinkled with Spanish vocabulary terms. The appeal here is for non-native speakers seeking an introduction to the language. At times the dual-language rhyme becomes awkward with phrasing that misses the mark in both languages, “The girl stretched her brazos / and yawned with her boca”—as if she’d yawn with anything other than her mouth? The text also fails to establish the mother’s motive for putting the pea under the mattresses, and for this reason background knowledge of the original is a prerequisite to truly enjoy this adaption. Martinez-Neal’s darling, soft-edged mixed-media illustrations bring the brown-skinned characters to life in costumes from different regions of Peru, while guinea pigs and alpaca fleece create an atmosphere of a busy rural textile industry.
While the charming illustrations give this title great shelf appeal, lack of narrative depth makes it best suited for comparison with the original rather than a title that stands on its own. (glossary) (Picture book. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-399-25156-6
Page Count: 32
Publisher: Putnam
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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