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MAKING UP STORIES

A NOVEL

A captivating novel, intellectually stimulating and literarily engrossing.

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In Hayes’ novel, a dying mother reveals to her daughter her family’s long history of trauma in the hope she can break free of it.

Dying in hospice care, Savannah Schaeffer, a 72-year-old retired professor of psychology, decides she has no choice but to reveal to her daughter Chloe the grim history of “intergenerational trauma” in her family.  Chloe is a successful physician but has an inclination toward romantic failure; she is poised to marry Dwayne, another psychologist, a decision Savannah believes is a dire mistake. To emancipate Chloe from the legacy of pain that lives deep in the family’s marrow, Savannah (whose mother died by suicide when Savannah was only 15 years old) believes that her daughter needs to be exposed to the details of its “toxic brew,” an achingly heroic charge movingly described by the author. To that end, Savannah gives to Chloe two journals—one written by her grandmother Hildegard and another by her father Johan, both of which chronicle nearly incomprehensible emotional challenges. Hildegard’s life was filled with pain and danger—she suffered extraordinary abuse at the hands of a mercurially violent husband named Markus and was afflicted with terrible depression and mental illness. Johan weathered the abuse of Markus as well, and finally killed him, as well as his own brother, and he experienced the unspeakable ravages of World War II. Chloe is mesmerized by the successive revelations about her lineage, as well as by her mother’s newly discovered open-handedness, a great departure for a woman for whom “leaving things unsaid is in her DNA.” Chloe must contend with the truth about her family, and also consider the kind of life she wants to lead (and whether Dwayne will be a part of it). She is further conflicted about Savannah’s decision to “hasten her death” and her own participation in that process as a palliative care doctor.

Hayes’ sprawling saga, composed of the main narrative and excerpts from the two journals, is delicately complex and emotionally affecting. Chloe is compelled to confront the possibility that all of this cumulative trauma somehow lives within her and affects the decisions that shape her life. “Their lives are mine now as if I had lived them. They live inside me, shaping who I am and my choices. A genetic echo. They always have been, but I now consciously know they always have been.” However, that acknowledgment doesn’t means she must accept the life Savannah envisions for her—Chloe must not only come to terms with a past she never experienced and shoulder it like painful freight but also forge ahead and create her own path. A novel so steeped in psychological ideas is threatened by two pitfalls—the tendency to become academically arid or to lecture the reader while relying upon banal platitudes. Impressively, Hayes manages to avoid both of these—this is a genuinely engrossing story, wise but never sententious. Moreover, it is an inspiring one—the past can never be escaped, but that does not mean it must serve as a destiny.

A captivating novel, intellectually stimulating and literarily engrossing.

Pub Date: Aug. 28, 2024

ISBN: 9798991105200

Page Count: 418

Publisher: N/A

Review Posted Online: March 12, 2025

Kirkus Reviews Issue: May 15, 2025

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TWICE

Have tissues ready as you read this. A small package will do.

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  • New York Times Bestseller

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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