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NOBODY'S CHILD

A TRAGEDY, A TRIAL, AND A HISTORY OF THE INSANITY DEFENSE

A satisfying courtroom drama that hits the sweet spot between good storytelling and sharp legal analysis.

A mentally ill grandmother’s desperate plight exposes a deep gulf between science and the law when it comes to the insanity defense.

For two days after her 3-year-old grandson died, Dorothy Dunn (a pseudonym) slept with the boy’s corpse, moving it on and off a heating grate hoping to maintain a lifelike body temperature. That and other unfathomable actions factored into the insanity defense Dunn’s public defender built after a prosecutor charged the “compliant and meek,” impoverished, black mother of five with second-degree murder. Debut author Vinocour—a clinical and forensic psychologist who had earlier practiced law and later served as an expert witness in Dunn’s trial before a largely white jury—evaluated the defendant and found her to be mentally ill. The author reconstructs the case in a chilling book that interpolates into Dunn’s tragic story a history of the insanity defense and famous related events, including the attempted assassinations of James Garfield and Ronald Reagan and the 1999 massacre at Columbine High School. Insanity defense laws vary by state, but Vinocour argues persuasively that the law overall lags far behind scientific research on mental illness. A widely used legal test of insanity is whether someone knows “right” from “wrong,” but mental illness is too complex for that standard, which implies falsely that “an intelligent or educated person can never be, legally, insane.” Though the author has changed many “identifying details,” making it uncertain that the events unfolded, as she writes, in Rochester, New York, and other pertinent facts, the story is unquestionably a page-turner, and revealing the ending would be a spoiler. It’s fair to say, however, that in this case, nobody wins—except perhaps for a prosecutor later elected judge after unironically billing himself as a defender of “the highest standards of the criminal justice system.”

A satisfying courtroom drama that hits the sweet spot between good storytelling and sharp legal analysis.

Pub Date: March 24, 2020

ISBN: 978-0-393-65192-8

Page Count: 336

Publisher: Norton

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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