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DEATH OF A PRINCE

Baker (My First Murder, 2002, etc.) has crafted a refreshingly straightforward whodunit. Multiple sleuths on parallel...

Mother and daughter lawyers team up to solve the murder of a Texas associate.

Galveston attorney Sandra Salinsky arrives at the beach house of high-powered lawyer Phillip Parker expecting to have lunch with her lover, Stuart Quentin, Phillip’s new partner. Instead, she finds the household in turmoil because of the host’s death following a fall from a balcony. A distraught Kitty Fulton, the girlfriend of Phillip’s associate Raymond Rivers, tearfully confesses to accidentally pushing Phillip and asks Sandra to defend her. When Kitty claims that Phillip lay injured on the grass after the fall, Sandra, pointing out that this scenario would make Kitty innocent of murder, takes the case. Although Sandra agonizes about breaking the news to her salty mother, Erma Townley, Phillip’s best friend and veteran law partner, her resilient mom wants to find the killer, and provides the little-known fact that Kitty was Phillip’s daughter. The ruthlessness of prosecutor Edgar Saul and some circumstantial evidence implicating Kitty prompt Sandra to undertake her own investigation. Erma does likewise. Two other suspects merit special scrutiny: Phillip’s long-time girlfriend Lizzie Haynes, whose instability and alcoholism are revealed during Erma’s probing over luncheon, and Phillip’s hulking caretaker Bubba Carruthers, in whom Sandra senses an underlying rage.

Baker (My First Murder, 2002, etc.) has crafted a refreshingly straightforward whodunit. Multiple sleuths on parallel tracks—one breezy, one brassy—add spice.

Pub Date: April 15, 2005

ISBN: 1-59414-268-8

Page Count: 293

Publisher: Five Star/Gale Cengage

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2005

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INHERENT VICE

Groovier than much of this erratic author’s fiction, but a bummer compared with his best.

For better and worse, this is the closest Pynchon is likely to come to a beach book.

A psychedelic beach book, of course: It’s hippie-era Los Angeles, and our hero smokes marijuana the way others smoke cigarettes, which is something of an occupational hazard in a profession that requires deductive abilities. About a third the length of its predecessor (Against the Day, 2006, etc.) and as breezy as a detective novel by Tom Robbins, the book begins with a beautiful woman walking into the office of private investigator Larry “Doc” Sportello to ask for help. Formerly Doc’s girlfriend, Shasta has been associating more recently with Mickey Wolfmann, a very rich and married developer whom Doc knows from the newspapers as “the real estate big shot.” Mickey’s wife and her lover apparently want him institutionalized, but as usual in a Pynchon novel, there are conspiracies atop conspiracies as Doc tries to get to the people who are running the people who seem to be running things. With Charlie Manson poisoning the free-love ethos and land-grab developers putting the soul of Southern California up for grabs, Doc finds himself enmeshed deeper in a plot that defies resolution. The mystery focuses on the Golden Fang, which may be a schooner, a heroin cartel, an enterprise of “vertical integration” or a vast international conspiracy. Maybe all of the above. The story will make the most sense to those as stoned as Doc, though it’s hard to resist questions like, “Anybody understand why they call it ‘real’ estate?” or a simile such as “the figure dropped like an acid tab into the mouth of Time”—highly appropriate for a protagonist who tends to divide the totality of experience into “groovy” and “bummer.” Or, once, for emphasis, “Bumm. Er.”

Groovier than much of this erratic author’s fiction, but a bummer compared with his best.

Pub Date: Aug. 4, 2009

ISBN: 978-1-59420-224-7

Page Count: 370

Publisher: Penguin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2009

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A BITTER FEAST

Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.

A fatal accident that tangles the fates of three ill-assorted people when two cars crash into each other outside a Gloucester village raises urgent questions about the living.

Hours after being ejected from the Lamb, Viv Holland’s pub in Lower Slaughter, her former boss Fergus O’Reilly, who’s turned up without warning and pressed her to take a new job 12 years after she quit his Michelin-rated Chelsea restaurant, is found dead after a collision outside the village. Nor is he the only victim: Nell Greene, the Lamb patron who’d picked up Fergus when she saw him walking uncertainly along the road to drive him to the hospital, has also died at the scene. And there’s evidence that Fergus was fatally poisoned even before the crash. The Met’s Detective Superintendent Duncan Kincaid and his wife, DI Gemma James, are on hand to investigate because they’ve accepted an invitation to stay at Beck House, the home of DS Melody Talbot’s wealthy parents, Sir Ivan and Lady Adelaide Talbot, for whom Viv has agreed to cater an elaborate charity luncheon. But Kincaid, who was driving the car Nell struck and survived the collision only to see Nell die as he looked on helplessly, isn’t himself either physically or mentally, and the solution seems a long way off. There’ll be another murder, a series of increasingly revealing flashbacks to Viv’s stint at O’Reilly’s 12 years ago, and endless updates on the sexual histories of the suspects with the victims, each other, and the police. Through it all, Kincaid and Gemma (Garden of Lamentations, 2017, etc.) keep stiff upper lips even when the dark revelations reach into Beck House.

Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.

Pub Date: Oct. 8, 2019

ISBN: 978-0-06-227166-2

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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