by Susan Palwick ‧ RELEASE DATE: May 14, 2013
Although inventive, the plot holds little appeal for readers who’ve never been interested in attending Comic-Con.
Readers who haven’t indulged in comic books since Archie and Jughead first strolled the halls of Riverdale High may find it difficult to relate to Palwick’s (Brief Visits, 2012, etc.) newest novel, a mixture of the serious and the absurd.
Melinda Soto, loving mother and cherished friend, is murdered while on vacation in Mexico. Her adopted son, Jeremy, and her friends manage their grief in varying ways. Jeremy, who drops out of college and finds work in a coffee shop, suffers from survivor’s guilt and feels suffocated by his mother’s friends; college professor Veronique has a meltdown in her classroom; Henrietta, a priest, finds solace in her faith; and gentle Rosemary, a volunteer chaplain at a local hospital, does her best to provide support to Jeremy and her friends while coping with her husband’s illness. But Melinda’s circle are not the only people affected by the tragedy: Following the brutal attack, murderer Percy Clark flies back to his parents’ home in Seattle and commits suicide, leaving behind his own grieving family. His mother, Anna, reaches out to Melinda’s loved ones and seeks to reconnect with her son by reading Percy’s collection of Comrade Cosmos comics. The brainchild of a group of inventive beer pong–playing college students, the comic books have spawned a cult following, which includes Jeremy Soto. Cosmos is a champion of order who appears when disaster strikes a community, and then, once he organizes rebuilding efforts, he returns home to care for his own broken family. The current storyline involves a convoluted plot about Archipelago Osprey and her pet scorpion. When she commits an outrageous act and becomes a fugitive from justice, she blames Cosmos for all her woes. Entering into a pact with the Emperor of Entropy, Archipelago heads for a big showdown at a Rock, Paper, Scissors tournament just as Melinda’s friends and Jeremy pile into a van to attend Percy’s memorial service. The serious thread—Palwick’s exploration of the different emotional journeys individuals face when confronted with inexplicable loss—is intelligent and expressive, but when the narrative veers into comic-book mode, the absurdity of the story overwhelms any attempt to meld the two.
Although inventive, the plot holds little appeal for readers who’ve never been interested in attending Comic-Con.Pub Date: May 14, 2013
ISBN: 978-0-7653-2758-1
Page Count: 336
Publisher: Tor
Review Posted Online: March 2, 2013
Kirkus Reviews Issue: March 15, 2013
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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