Good idea, disappointing result. Novelist Shreve (The Visiting Physician, 1996, etc.) and her novelist-to-be son, Porter, have collected short essays on justice authored not by lawyers or academics, but by writers addressing the subject through personal narratives. Running throughout these contributions is a central theme captured in the title: Justice cannot be reduced to questions of law. Unfortunately, the volume ultimately does not quite work. Selections that reflect personal experience, such as Richard Bausch's recollection of a racist remark made to a friend during his childhood, or a journalistic report, such as Blanche McCrary Boyd's account of the trial of Susan Smith, expose the potent emotions and nagging doubts that can surface when notions of justice are counterposed to clearcut questions of innocence or guilt. In contrast, the less focused and more abstract sets of reflections, notably John Casey's rather lengthy discussion of how questions of justice ``nourish'' fictional works, seem pallid and out of place. While the former outnumber the latter, however, in the end the whole volume adds up to less than the sum of its parts. The better essays are suggestive, but none are conclusive, and the overall effect is to leave the reader hanging in many different ways rather than illuminating the subject from a variety of perspectives. The premise that justice cannot be codified because it is a function of the complexities of real life is not only worth exploring, it may positively require more lengthy exploration than can be derived from short essays.
Pub Date: July 21, 1997
ISBN: 0-8070-4406-7
Page Count: 208
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1997
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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