A story worth hearing about a cause worth fighting.
Written by his granddaughter, this biography tells a little-known story of an African-American vocalist who used music to unify people abroad when segregation still ruled in the U.S.
The son of a fugitive slave, Robeson came by his activism earnestly, and prior to his involvement in the Spanish Civil War in the 1930s, he held concerts to raise funds and gather donations for children and families impacted by the conflict. At the height of the war, Robeson insisted that Capt. Fernando Castillo, his guide, take him to the front lines, where he sang for both sides, temporarily stopping the fighting. Brown’s deeply saturated, highly textured illustrations effectively capture the dangers Robeson encountered to try to bring peace to war-torn Spain and his confidence in his ability to make a difference where others considered his attempts at intervention foolhardy and unnecessarily risky. Readers might wonder how Robeson thought a black American could unite a country where he was both a minority and an outsider, but when they see the photograph of Robeson with his multiracial, international family and learn that he spoke and sang in over 15 different languages, it seems clear that Robeson lived multiculturalism; hence, traveling around the world spreading peace through music to bring people together came naturally to him.
A story worth hearing about a cause worth fighting. (Informational picture book. 4-10)Pub Date: Jan. 8, 2019
ISBN: 978-1-60980-882-2
Page Count: 32
Publisher: Triangle Square Books for Young Readers
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...
Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.
The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)Pub Date: May 2, 2017
ISBN: 978-0-399-54728-7
Page Count: 32
Publisher: Philomel
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
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