A story worth hearing about a cause worth fighting.
Written by his granddaughter, this biography tells a little-known story of an African-American vocalist who used music to unify people abroad when segregation still ruled in the U.S.
The son of a fugitive slave, Robeson came by his activism earnestly, and prior to his involvement in the Spanish Civil War in the 1930s, he held concerts to raise funds and gather donations for children and families impacted by the conflict. At the height of the war, Robeson insisted that Capt. Fernando Castillo, his guide, take him to the front lines, where he sang for both sides, temporarily stopping the fighting. Brown’s deeply saturated, highly textured illustrations effectively capture the dangers Robeson encountered to try to bring peace to war-torn Spain and his confidence in his ability to make a difference where others considered his attempts at intervention foolhardy and unnecessarily risky. Readers might wonder how Robeson thought a black American could unite a country where he was both a minority and an outsider, but when they see the photograph of Robeson with his multiracial, international family and learn that he spoke and sang in over 15 different languages, it seems clear that Robeson lived multiculturalism; hence, traveling around the world spreading peace through music to bring people together came naturally to him.
A story worth hearing about a cause worth fighting. (Informational picture book. 4-10)Pub Date: Jan. 8, 2019
ISBN: 978-1-60980-882-2
Page Count: 32
Publisher: Triangle Square Books for Young Readers
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Memorable art earns this biography a respectable place on the shelf.
George Washington Carver tended a secret garden of flowers before becoming known for his skill in agriculture.
The book opens in 1921 as Carver addresses the U.S. Congress, astounding them with dozens of uses for the peanut. The narration then takes readers back to Carver’s childhood to discover how he reached that career highlight. As a child, he loved flowers, but he was warned not to waste time on plants that couldn’t be eaten or sold, so he kept his colorful garden hidden in the woods. Shut out of schools because he was black, he studied nature independently and learned through experimentation. Eventually, he started caring for neighbors’ sick plants, becoming known as “the Plant Doctor.” At 12, he left the farm on which he was raised and attained a formal education, after which he taught students at the Tuskegee Institute and farmers with a mobile classroom mounted on a wagon. This journey through Carver’s childhood and accomplishments ends with Carver’s simple but memorable words, “Regard Nature. Revere Nature. Respect Nature.” The substantial text holds readers on each spread long enough to appreciate not only the subject matter of the painted illustrations, but Morrison’s artistic techniques—strong strokes and careful dots, artful combinations of textures and shapes—which create lush forest scenes and portraitlike human faces and forms. The childhood story feels more cohesive than the final pages, which list his adult accomplishments but lack the narrative thread.
Memorable art earns this biography a respectable place on the shelf. (timeline, bibliography, further reading) (Picture book/biography. 4-9)Pub Date: Jan. 14, 2020
ISBN: 978-0-06-243015-1
Page Count: 40
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...
Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.
The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)Pub Date: May 2, 2017
ISBN: 978-0-399-54728-7
Page Count: 32
Publisher: Philomel
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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