by Susan Ronald ‧ RELEASE DATE: March 14, 2023
Highly readable drama of highborn traitors who enthusiastically aided the Nazi ascent to power.
A character-driven chronicle of the numerous British and American elites who abetted Hitler’s efforts to seize and maintain power.
Many of these names (the Mitford sisters, Sir Oswald Mosley) will be well known to students of fascist history. However, British American biographer Ronald, author of Hitler’s Art Thief, among other books, capably unearths the efforts of dozens of others who helped pave the way for getting Hitler’s “big lie” accepted by so many. The inability to accept Germany’s defeat in World War I and the ramifications of the punitive Treaty of Versailles fed the fantasy that the old order of ruptured aristocracies could be restored. Shady characters with aristocratic ties—e.g., Ernst “Putzi” Sedgwick von Hanfstaengl, a German American businessman and “Nazi English-speaking foreign press service,” and Princess Stephanie zu Hohenlohe-Waldenburg-Schillingsfürst, a wily spy and monarchist—acted as Hitler’s go-betweens in wooing the British and American upper crust to advocate for the Nazi regime, write favorable stories about Hitler, and infiltrate the embassies. Putzi coached Hitler on his rhetoric, while Princess Stephanie enlisted the favors of Harold Harmsworth, Lord Rothermere, the British press baron, and got Hitler to appoint Joachim von Ribbentrop as head of the German foreign office in England. In this keen study, Ronald emphasizes the shocking extent to which American corporations like Du Pont and General Motors supported the pro-German fascist groups in the U.S., not to mention the behind-the-scenes support of Hitler’s own “alchemists” like I.G. Farben. The biggest-name sympathizers were, of course, the Duke and Duchess of Windsor, ultimately exiled by Churchill to govern the Bahamas to keep them out of mischief. Even Martha Dodd, the daughter of William Dodd, the fervently anti-Nazi American ambassador to Germany, was seduced by the Nazi machine, and she went on to become an unrepentant spy.
Highly readable drama of highborn traitors who enthusiastically aided the Nazi ascent to power.Pub Date: March 14, 2023
ISBN: 9781250276551
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Nov. 21, 2022
Kirkus Reviews Issue: Dec. 15, 2022
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by Annette Gordon-Reed ‧ RELEASE DATE: May 4, 2021
A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.
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The Harvard historian and Texas native demonstrates what the holiday means to her and to the rest of the nation.
Initially celebrated primarily by Black Texans, Juneteenth refers to June 19, 1865, when a Union general arrived in Galveston to proclaim the end of slavery with the defeat of the Confederacy. If only history were that simple. In her latest, Gordon-Reed, winner of the Pulitzer Prize, National Book Award, Anisfield-Wolf Book Award, and numerous other honors, describes how Whites raged and committed violence against celebratory Blacks as racism in Texas and across the country continued to spread through segregation, Jim Crow laws, and separate-but-equal rationalizations. As Gordon-Reed amply shows in this smooth combination of memoir, essay, and history, such racism is by no means a thing of the past, even as Juneteenth has come to be celebrated by all of Texas and throughout the U.S. The Galveston announcement, notes the author, came well after the Emancipation Proclamation but before the ratification of the 13th Amendment. Though Gordon-Reed writes fondly of her native state, especially the strong familial ties and sense of community, she acknowledges her challenges as a woman of color in a state where “the image of Texas has a gender and a race: “Texas is a White man.” The author astutely explores “what that means for everyone who lives in Texas and is not a White man.” With all of its diversity and geographic expanse, Texas also has a singular history—as part of Mexico, as its own republic from 1836 to 1846, and as a place that “has connections to people of African descent that go back centuries.” All of this provides context for the uniqueness of this historical moment, which Gordon-Reed explores with her characteristic rigor and insight.
A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.Pub Date: May 4, 2021
ISBN: 978-1-63149-883-1
Page Count: 128
Publisher: Liveright/Norton
Review Posted Online: Feb. 23, 2021
Kirkus Reviews Issue: March 15, 2021
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SEEN & HEARD
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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