by Susan Savion ‧ RELEASE DATE: April 19, 2016
An enthusiastic but unpolished examination of a 19th-century radical.
A debut biography of a women’s rights activist draws heavily on her writings.
In this work, Savion (Quotes to Start the Day, 2016, etc.) presents a series of short excerpts from the writings of Matilda Joslyn Gage, a suffrage leader, abolitionist, and feminist intellectual of the 19th century, accompanying each quotation with a brief explanation. The quotes are arranged thematically, with labels like “On Tactics,” “On Religion,” “On Freedom,” “On Slavery,” and “On Economics” heading each section. The author offers biographical information when explicating the quotes. For example, a part titled “On Women’s Rights” tells readers: “Matilda credits her father for her life-long desire for justice and equality for all. Matilda was involved in the women’s movement from 1852 until her death in 1898.” The text provides a high-level look at Gage’s major achievements and the enthusiasms that drove her to write a treatise on women’s role in religion and a multivolume history of the suffrage movement in the United States. Savion explores a wide range of events in Gage’s life, including her relationship with her son-in-law L. Frank Baum, her analysis of women’s roles in the politics and society of the Iroquois Confederacy, and her embrace of the sacred feminine in religious tradition. While the author is clearly knowledgeable about her subject, who provides a wealth of material for biographers, the book’s writing and presentation substantially limit its effectiveness. There are internal inconsistencies (“Matilda was affiliated with Unitarianism”; “Though not a Unitarian herself”) and errors of oversimplification (a photo caption describes the Gage house as “one of only two stops on the Underground Railroad,” making it unclear that it was one of two within Gage’s hometown). While many of the quotes are attributed to specific writings, a substantial portion is not, and there are no citations provided for photographs or information provided in the explanatory text. Attempts to engage with Gage’s abolition work are cringe-inducing (“And as far as the Negro was concerned, one of Matilda’s eldest daughter’s memories was that of a black man on his knees before her mother, thanking her for a chance of life and liberty”). And the book’s disjointed structure, with most sections less than two pages, leads to the repetition of minor details and prevents a thorough, coherent, or accurate analysis of the complex topics involved.
An enthusiastic but unpolished examination of a 19th-century radical.Pub Date: April 19, 2016
ISBN: 978-1-68256-737-1
Page Count: -
Publisher: LitFire Publishing
Review Posted Online: Jan. 5, 2017
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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