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SPEED SHRINKING

Disposable, ephemeral navel-gazing.

Chatterbox self-help whiz melts down when her shrink blows town.

No stranger to confessional literature, memoirist Shapiro (Only As Good As Your Word, 2007, etc.) ventures into the world of fiction with predictably ostentatious results. The author’s doppelgänger is Julia Goodman, a wealthy Manhattan quasi-celebrity married to Jake, who’s always jetting off to film TV pilots. Julia made herself famous with Up In Smoke, a tell-all about her addiction to booze and nicotine that revealed how her therapist, Dr. Michael Ness, helped her conquer her compulsions. (The book as described bears a striking resemblance to Shapiro’s own Lighting Up, 2004.) On the eve of the publication of her sequel, Food Crazy, she finds herself abandoned by the people she relies on most. Jake is off to film in Hollywood; best friend Sarah is following a new husband to Cleveland; and Dr. Ness drops the bomb that he’s moving to Arizona. “What a disaster—I’m an acclaimed self-help guru who suddenly can’t help herself,” Julia whimpers. Fretting over her abrupt loss of a counselor/father figure, she visits eight other analysts in eight days, finally settling on a cigar-smoking behavioral therapist who can’t fill his predecessor’s big shoes. For our addiction-prone heroine, nothing fills the void like cupcakes, and she packs on 35 pounds just in time to freak out over her upcoming slate of media appearances, including a shot at Oprah. Shapiro’s prose has its attractions, among them a clean, easy-to-digest style and dialogue so hurried it reads like a spiritual cousin to Aaron Sorkin’s walk-and-talks. What will spoil this light beach read for many readers is its whiny protagonist, a woman so self-centered that her biggest obstacle is getting over herself. The novel’s appeal may well be limited to those who are really into drama queens.

Disposable, ephemeral navel-gazing.

Pub Date: Aug. 1, 2009

ISBN: 978-0-312-58156-5

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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