bookshelf

IN AMERICA

Name: IN AMERICA
Author: Susan Sontag
ISBN: 0-374-17540-3

by Susan Sontag ‧ RELEASE DATE: March 8, 2000

bookshelf

Once past its odd, sluggish opening, and not yet as far as its final ’scene," a reader finds much to enjoy in Sontag’s highly researched fourth novel (The Volcano Lover, 1992, etc.). It's a fictionalization of the American experience of celebrated Polish actress Helena Modrzejewska (here named Maryna Dembowska): first, as queen of an entourage that includes her family and her lover (Nobel laureate Henryk Sienkiewicz, called here Ryszard Kierul) and that joins a farming commune in California; next, as center star on a spectacularly successful extended tour that begins in Nevada ("making miners weep")) and ends in New York and London; then as working partner with American thespian Edwin Booth, another of the many men who threw themselves at her feet. Maryna’s epic story begins as a speculation hatched in the mind of a nameless woman narrator who, accidentally observing a private party in a hotel dining-room, "conjures up" the histories of its evidently foreign-born participants. The tale, thus begun, assumes several forms: a straightforward narrative of the move from embattled Poland to America as undertaken by Maryna and her second husband, Count Bogdan Dembowski, her three children, and several friends (notably, her importunate lover Ryszard); second, scenes from these and other characters’ viewpoints; third, Maryna’s letters home to her admiring physician "" Henryk; fourth, Bogdan’s diary, recording both his passive deference to Maryna’s wishes and his fleeting homosexual impulses; and finally, strangest of all, a monologue "addressed" by Edwin Booth to his new stage partner, the triumphant Maryna. The heart of the story is Sontag’s account of Maryna’s conquest of America: a wonderfully ironic, episodic chronicle of culture shock that includes a wittily described meeting with Henry James (who, it’s implied, will immortalize Maryna in The Tragic Muse). Lamentably shapeless. Yet, though Sontag may not be a novelist, really, she enlightens and entertains in what becomes, against rather long odds, a surprisingly lighthearted and likable book.

Pub Date: March 8, 2000

ISBN: 0-374-17540-3

Page Count: 387

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2000

Categories:

GENERAL FICTION

- BOOK REVIEW
WOMEN
by Annie Leibovitz with Chimamanda Ngozi Adichie , Susan Sontag & Gloria Steinem

- BOOK REVIEW
ON WOMEN
by Susan Sontag ; edited by David Rieff

- BOOK REVIEW
DEBRIEFING
by Susan Sontag ; edited by Benjamin Taylor

bookshelf

BETWEEN SISTERS

by Kristin Hannah ‧ RELEASE DATE: May 1, 2003

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

bookshelf

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

bookshelf

TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

bookshelf

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.