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FLASK OF THE DRUNKEN MASTER

Like earlier series entries, this one is most likely to interest readers with tastes for political intrigue in 16th-century...

Hattori Hiroand his partner in crime-solving take on the case of a murdered brewer.

Hiro is a shinobi assassin who has been hired to guard the Portuguese priest Father Mateo Ávila de Santos. Although Hiro tries to keep the priest out of the limelight, they keep getting sucked into murder cases, this time in order to help Ginjiro, a sake brewer to whom Hiro owes a personal debt. Ginjiro has been arrested for the brutal murder of Chikao, a brewery owner whose son Kaoru owed Ginjiro a good deal of money. Chikao had been pestering Genjiro to sell him the brewery and have his daughter, Tomiko, marry Kaoru, whose debts are mounting all over town. Once Genjiro is arrested, Tomiko begs Hiro to help her father. After examining the body and the broken sake flask presumed to be the murder weapon, Hiro is certain that Ginjiro is being framed. Kaoru had angered many people, but why would any of his debtors kill the doting father who struggled to pay his debts? Hiro even suspects the female samurai Akechi Yoshiko, who's worked as a debt collector since her father was murdered (Blade of the Samurai, 2014, etc.). Kyoto is rife with political intrigue and jostling for power since the shogun died. Hiro works to keep the outspoken priest out of trouble while trying to save Ginjiro from a death sentence.

Like earlier series entries, this one is most likely to interest readers with tastes for political intrigue in 16th-century Japan and red herrings.

Pub Date: July 14, 2015

ISBN: 978-1-250-02706-1

Page Count: 304

Publisher: Minotaur

Review Posted Online: April 29, 2015

Kirkus Reviews Issue: May 15, 2015

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THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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REMEMBER WHEN

A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does...

Written under her real name and her pseudonym, two books in one from megaselling Roberts/Robb.

Book one: Laine Tavish, gorgeous redhead and owner of a small-town antique store, isn’t about to tell the cops that she knew the old man who was hit by a car right outside her shop. Just before he took his dying breath, she recognized Willy Young, partner in crime to Big Jack O’Hara, her father. Their biggest heist: millions of dollars in hot diamonds. Her father went to prison, but not Willy, whose last words were “left it for you.” What did he leave—and where? Enter Max Gannon, insurance investigator and all-around stud, with thick, wavy, run-your-fingers-through-it hair, tawny eyes that remind Laine of a tiger, and a delicious Georgia drawl. He beds Laine pronto, and they solve the case. But some of the diamonds are still missing. . . . Book two: it’s 50 years later, and New York traffic is slower than ever: just try getting a helicab on a rainy day. But Samantha Gannon, author of a bestseller called Hot Rocks based on her grandparents’ experiences in the long-ago case, eventually makes it home from the airport to find her house-sitter Andrea dead, throat cut. Another investigation begins, spearheaded by Eve Dallas, a tough-talking but very appealing New York cop married to Roarke, a rich, eccentric genius who just barely manages to stay on the right side of the law. Is the murderer after the rest of the diamonds? And is he or she related to the master thief who betrayed Samantha’s great-grandfather? There are more burning questions, and Eve wants answers—but, first, get Central on the telelink and program the Autochef for pastrami on rye.

A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does Suspense Lite better than Nora.

Pub Date: Sept. 1, 2003

ISBN: 0-399-15106-0

Page Count: 448

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2003

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