by Susan Trott ‧ RELEASE DATE: March 17, 1997
Sequel to Trott's The Holy Man (1995), which hit the bestseller lists—in San Francisco—for weeks. Trott has written ten novels, including Divorcing Daddy (1992). This modest story picks up with enlightened Anna and snide husband Errol and their two small kids still at the Holy Man's retreat on a sacred mountain in an Eastern country. Joe the Holy Man, now in failing health in his mid-70s, wants to go down the mountain for the first time in 25 years and see his mentor, Chen, for a farewell visit. As it happens, Chen is 25 years younger than Joe and has built a ``Univers-City,'' where 2,500 young disciples pay to keep Chen in luxury. Joe and Anna have several minor adventures on their way to Chen, and from each Anna learns something new via Joe's wisdom. During a visit to a shop, Anne is nearly raped but learns to accept blame for putting herself in danger's way. From a cab driver with an obsession to collect rare clay pots she learns about repressed creativity. From three beggar women she learns how to help the deprived feel worthy. Anna, it turns out, also has a gift for healing. At last she and Joe meet Chen, a Chinese genius who grew up in a Cambodian monastery before becoming Joe's teacher. Chen sees Joe as a great trickster, and when Joe dies offstage as Chen is speaking to his huge student body in the Univers-City auditorium, it's an act that an astonished Chen calls Joe's greatest trick. When Chen and Anna carry the old man's sweet-smelling corpse back to his monastery for burial, Anna discovers that her abrasive husband has seemingly run off with the kids. Meanwhile, Joe's death serves to jolt Chen back to reality. All right, mildly entertaining, but clearly for the already pre-sold.
Pub Date: March 17, 1997
ISBN: 1-57322-057-4
Page Count: 148
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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