Vaught boldly confronts anti-fat discrimination with a seductive mix of emotion and politics. High-school senior Jamie, pursuing a journalism scholarship to fund college, begins a school-newspaper feature called Fat Girl Manifesto. Her scathing, impassioned columns attract widespread media attention by tackling myriad prejudices against fat people, such as doctors who humiliate fat patients and stores that stock only small sizes while being staffed by clerks who taunt fat customers. When Jamie’s beloved boyfriend Burke, a football player, chooses controversial bariatric surgery, Fat Girl chronicles it in excruciating detail. Jamie and Burke’s relationship changes under duress. Fat Girl’s voice shows Jamie’s confident side, full of verve and wit and anger; underneath, she hides personal insecurity. Most of Vaught’s narrative messages about fatness are empowering and humane, though they occasionally contain oddly stereotypical old myths that don’t get questioned. This zesty page-turner will hook readers with romance and energy while addressing a woefully ignored subject. (Fiction. YA)
Pub Date: Jan. 1, 2008
ISBN: 978-1-59990-206-7
Page Count: 275
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.
Pub Date: Feb. 4, 1999
ISBN: 0-671-02734-4
Page Count: 256
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An intimate portrait of female friendship laced with literal and metaphorical magic.
Getting through high school requires more than a little bit of magic.
On prom night, when Alexis accidentally kills Josh Harper, she panics and summons her five best friends—Paulie, Roya, Iris, Marcelina, and Maryam—for help. Alexis knows she can rely on them, not only because of their unshakeable friendship, but because of what they have in common: the ability to do magic. Attempting to make things right, the girls cast a spell but are left with a disconnected collection of Josh’s body parts, including a cold, glassy version of his heart. They divide them up and agree to dispose of what is left of Josh, piece by piece. Alexis insists on witnessing each body-part-releasing ceremony, in the process exploring her bonds with her friends—and, in one case, feelings that go far beyond friendship. But as their relationships strengthen, the spell takes its toll: Every time they lose a body part, the girls lose something too, forcing them to rethink how they define themselves and each other. This work of speculative fiction is a profoundly thoughtful exploration of female friendship, love, growth, and identity. The fully realized characters are diverse in ethnicity, sexuality, and gender identity. While the final two-thirds of the book are beautifully paced, balancing introspection and character development with plot, the first third at times feels weighed down by explanation and backstory.
Pub Date: March 3, 2020
ISBN: 978-1-5344-3287-1
Page Count: 352
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
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