A rappa-tappin’ good read that will invite readers young and old alike to move, groove, and turn on their favorite tunes.
For every kid who makes a joyful noise from sunrise to sunset…and all the adults within earshot.
A little tan-skinned girl, with her black hair in two puffballs, declares in Verde’s rhyming text that she has a “rock ’n’ roll soul,” and when she performs in the school talent show, she brings the house down. No matter where she goes in her urban neighborhood or what she does, her steady companion, music, follows. Even when she sleeps, she dreams of music. In a six-page dream sequence, only the unnamed protagonist, dressed in an outfit for each occasion, appears in color while her audiences, admirers, orchestra (which she conducts), and marching jazz band (which she leads) appear in gray. Reminiscent in style and energy of Quentin Blake’s illustrations, Cordell’s watercolors pulse with life, movement, and lighthearted fun. Onomatopoeic words follow this kid everywhere (“Tap-a Tap-a Tap-a”; “chikk-a chikk-a”; “zoing oing toing”) in scratchy, hand-drawn and -colored letters. Her single dad, who makes a brief appearance at home, clearly enjoys the musical exuberance of his daughter, who gets quiet only when she sleeps (and dreams of music). Though entirely lacking in conflict, this picture book encourages girls to let the music inside them come out.
A rappa-tappin’ good read that will invite readers young and old alike to move, groove, and turn on their favorite tunes. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-1-4197-2849-5
Page Count: 32
Publisher: Abrams
Review Posted Online: Feb. 12, 2018
Kirkus Reviews Issue: March 1, 2018
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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