``Beauty and the Beast'' in a modern setting, courtesy of first-novelist Wilson. Alexander Miller comes from a long line of modestly talented artists, all of whom have painted portraits of the aristocratic Cromptons. Alexander takes a commission from the current Crompton, Leland, but because he is ailing, and because his daughter, Alix, is a better artist, he sends her instead. Naturally, Lee lives in a mansion on inherited money, while it's not quite clear what Alix lives on, unless the reader is to believe it's her art. Anyhow, Alix falls in love with Lee, though not because of his money, and not at first glance, certainly, since Lee is afflicted with acromegaly—also known as ``giantism''—and is really a bit of a freak. (He's gentle, though.) There are several obstacles: Lee's protective housekeeper Mrs. Greaves, who's suspicious of Alix's motives; Alix's boyfriend Mark, who seems to value Alix only for quick sex; and her father Alexander, who has been diagnosed with cancer and is dying a slow death in a hospice. Actually, her father's death works neatly to demonstrate what a nice person Alix is, because of how tenderly she cares for him in his final days. And Lee's a nice person, too, it turns out, because he sits and talks with the dying man for hours. Surprise: Mark, with no more feelings than a beast, doesn't want to see Alexander at all! Once Mark is out of the way and her father dies, Alix and Lee marry— but, taking several pages from Erich Segal, Wilson kills off Alix and leaves the Beast to raise his beautiful daughter alone. It's really sad, but kind of redemptive, too. None of the men here manage to seem real, and Alix herself is a bit of a scold, giving the love scenes a decaffeinated feel. A tale not so much sweet as Nutra-Sweet. (First serial to Good Housekeeping)
Pub Date: June 1, 1996
ISBN: 0-517-70152-9
Page Count: 208
Publisher: Crown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 1996
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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