Readers will enjoy spotting a pile of books, a basketball, and a skateboard among Daniela’s personal cargo as they go...



From the Égalité series

An intrepid redhead à la Pippi Longstocking sails the seven seas tracking down the most feared pirate ship in all the world—the Black Croc.

In this piratical offering from Spain, Daniela is determined to join the Black Croc’s nefarious crew, and nothing the captain demands quells her indomitable spirit. Swim to the bottom of the sea and back again with a giant squid—no problem. One hundred squats while hoisting a treasure-filled chest overhead—bring it on. Jump into a croc-infested pit—piece of cake. Be a pirate—nope! Girls can’t be pirates. Chauvinistic Capt. Choppylobe will not be budged, so his commendably diverse crew takes a vote. Hooray for Capt. Daniela! The Black Croc is still the scourge of the seven seas…and an equal-opportunity outfit to boot. Isern’s salty (but a trifle long) tale reads equally smoothly in both the original Spanish (publishing in the U.S. simultaneously) and English translation, with the exception of the odd-sounding captain’s name. Orejacortada could have been translated as Sliced-ear, Nicked-ear, Chopped-ear, etc. Gómez’s exuberant and colorfully detailed illustrations carry the sagging midpoint forward and reinforce the Pippi Longstocking motif. From Daniela’s superhuman strength to her very own treasure chest, echoes of the Swedish icon haunt the text. But even the grimacing Black Croc’s prow smiles by story’s end despite the buccaneers’ heavy-handed if praiseworthy speech about fairness.

Readers will enjoy spotting a pile of books, a basketball, and a skateboard among Daniela’s personal cargo as they go adventuring with her and her scurvy crew. (Picture book. 4-8)

Pub Date: Sept. 4, 2018

ISBN: 978-84-17123-12-3

Page Count: 44

Publisher: nubeOCHO

Review Posted Online: July 24, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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A lesson that never grows old, enacted with verve by two favorite friends


From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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Eggs-quisitely excellent.


Being a good egg can be eggs-cruciatingly stressful.

This earnest counterpart to John and Oswald’s hilarious The Bad Seed (2017) opens with a direct address from an oval-shaped saint to readers: “Oh, hello! I was just rescuing this cat. Know why? Because I’m a good egg.” Just how good is this egg? “Verrrrrry good.” Without hesitation, the bespectacled egg offers to help others with carrying groceries, painting houses, and changing tires. The good egg even tries to “keep the peace” among the other 11 eggs in its dozen, who forgo their bedtime, eat sugary cereal, and break stuff. Rotten eggs indeed! When the pressure of being good proves too much, the beleaguered egg embarks on a journey of self-care. John embeds a seed of a great idea—finding a balance between personal and social responsibility—within a rip-roaring, touching narrative. Despite his sober narrator, the author’s sense of humor remains intact thanks to some clever (and punny) wordplay. Likewise, Oswald’s digitally composed, bright artwork pops with rib-tickling close-ups and character-building moments. Both text and art complement each other perfectly. Too long alone, the protagonist heads back to its rowdy family, imparting a slice of wisdom to readers: “I’ll be good to my fellow eggs while also being good to myself.” It’s an empowering moment made all the better when this good egg returns to find a rapturous welcome from the others.

Eggs-quisitely excellent. (Picture book. 4-8)

Pub Date: Feb. 12, 2019

ISBN: 978-0-06-286600-4

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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