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DEAR SANTA

FOR EVERYONE WHO BELIEVES IN THE MAGIC OF CHRISTMAS

Inclusive in some ways but not others.

A self-reflective child reaps rewards on Christmas morning.

Parker (who presents as a black boy with brown skin and Afro-textured hair in digital illustrations that have an aesthetic right out of current television animation) is nervous when his weekend art teacher, Ms. Holly, assigns the class to write a letter to Santa. Classmates (at least three of whom seem to be children of color while the teacher appears white) write letters extolling their own virtues and denying wrongdoing. In his letter, however, Parker decides to be honest about times he’s been naughtier than nice. His acknowledged misdeeds are utterly benign or grounded in good intentions, and the accompanying illustrations show him interacting with his parents as he recalls behavior infractions throughout the epistolary section. Parker’s mother appears black with the same skin tone as his while his father appears white, and this centering of a biracial child of color in an interracial family is notable among the many Christmas books with white protagonists. Ms. Holly mails the letters, and Santa (depicted as white, though elves are depicted with a range of skin tones) is moved by Parker’s words. He rewards him with all the gifts on his list, a step that may ring false to less-fortunate kids, including those who use the backmatter letter-writing template to write to Saint Nick themselves.

Inclusive in some ways but not others. (Picture book. 4-8)

Pub Date: Oct. 1, 2019

ISBN: 978-1-4926-9474-8

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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THE HUMBLE PIE

From the Food Group series

A flavorful call to action sure to spur young introverts.

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In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.

Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.

A flavorful call to action sure to spur young introverts. (Picture book. 4-8)

Pub Date: Nov. 4, 2025

ISBN: 9780063469730

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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