A pleasant hymn to sisterly cooperation.

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GRACE AND KATIE

Two sisters, both passionate about drawing but with very different aesthetics, learn the value of collaboration.

Both Katie and Grace, who look to be fraternal, bespectacled white twins, love to draw. Straight-haired Grace’s drawings are filled with straight lines, squares, and angles, while curly-locked Katie favors patterns, squiggles, and swirls. Grace thinks that Katie’s drawings need to be more organized, while Katie thinks that Grace’s drawings need to be more exciting. Could they both be right? One day, Grace decides to create a map of their home. Katie is curious and asks if she can help. Grace turns her sister down, and none too kindly. Katie decides to make her own map. Both set to work. A pair of two-page spreads shows Grace’s map, full of small details and drawn in black and white on graph paper. Grace is pleased but still feels that there’s something missing. Katie, meanwhile, has continued to draw, using all her colored pens and adding the park that’s across the street. Both girls find something missing in the other’s work. After a long look, each goes to work on the other’s drawing. Katie adds colorful touches to Grace’s map, and Grace gives Katie’s map more structure. In the end, collaboration wins out. Anelli’s intricate illustrations effectively drive home Merritt’s message, evoking the protagonists’ varied styles effectively while maintaining the childlike look of both.

A pleasant hymn to sisterly cooperation. (Picture book. 4-7)

Pub Date: Dec. 1, 2017

ISBN: 978-1-925335-54-5

Page Count: 32

Publisher: EK Books

Review Posted Online: Oct. 28, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...

MANGO, ABUELA, AND ME

Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?

The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)

Pub Date: Aug. 25, 2015

ISBN: 978-0-7636-6900-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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