Surprisingly dry, uninspiring rendering of a potentially intriguing life story.
“Godmother” of women’s erotica reflects on her young life as a self-styled political and sexual revolutionary.
Longtime sex educator, provocateur and journalist, Bright (Love and Lust: A Sex Journal, 2010, etc.) was born to an eccentric academic couple with an abiding professional and recreational interest in India and Indian culture. Early on, the author bounced back and forth between her mother and father’s care, from Los Angeles to Edmonton. Bright’s remembrances of her parents, who were bitterly divorced when she was two, aren’t especially vivid, and what she divulges about her mother is none-too-flattering. Most striking is the recollection of her mom’s failed attempt to drive their VW into a frozen Canadian river, a suicide attempt that would have also taken Bright's life. With such an unstable upbringing, it’s not surprising that the author turned to radical politics in high school and daily confrontation with pre–Equal Rights Amendment sexism from all sides. She went off to “commie” camp as a teenager and become editorially involved with The Red Tide, a leftist publication. After waltzing through college, she decided her interests were in gender and sexual politics, and she became the founding editor of the erotica magazine On Our Backs. Yet however heroic Bright’s sexual and political accomplishments may or may not be, one gets the sense that her middle-class activist antics stem more from superficial reaction rather than personal conviction. Throughout, the author’s self-congratulatory tone may prevent readers from fully embracing Bright’s worthy sexually and politically liberating accomplishments. For someone whose career and reputation rests so heavily on being a sex expert and erotica guru, she writes about her own fairly tame sexcapades with a coldly cerebral and often ironic detachment.
Surprisingly dry, uninspiring rendering of a potentially intriguing life story.Pub Date: April 1, 2011
ISBN: 978-1-58005-264-1
Page Count: 304
Publisher: Seal Press
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An essential contribution to any discussion of race and likely to be a standard text in cultural studies for years to come.
A compelling, profoundly unsettling blend of memoir and manifesto that proposes that—by design—matters will never improve for African Americans.
To be black, writes Wilderson III, who chairs the African American Studies program at the University of California, Irvine, is not just likely to descend from slaves, but to be forever condemned to the existential condition of a slave. As he writes, “slavery did not end in 1865. It is a relational dynamic…[that] can continue to exist once the settler has left or ceded governmental power.” No other ethnic group—not Native Americans, Asian Americans, Arab Americans, or Hispanic Americans—in the U.S. suffers the same institutional violence, and, Wilderson suggests, all others are more structurally aligned with the white oppressor than with the oppressed African American in a system that hinges on violence. Blending affecting memoir that touches on such matters as mental illness, alienation, exile, and a transcendent maternal love with brittle condemnation of a condition of unfreedom and relentless othering, the author delivers a difficult but necessary argument. It is difficult because it demands that readers of any ethnicity confront hard truths and also because it is densely written, with thickets of postmodern tropes to work through (“blackness is a locus of abjection to be instrumentalized on a whim…a disfigured and disfiguring phobic phenomenon”). The book is deeply pessimistic indeed, as Wilderson rejects any possibility of racial reconciliation in these two-steps-backward times. Perhaps the greatest value of the book is in its posing of questions that may seem rhetorical but in fact probe at interethnic conflicts that are hundreds, even thousands of years old. Wilderson advances a growing body of theory that must be reckoned with and that “has secured a mandate from Black people at their best; which is to say, a mandate to speak the analysis and rage that most Black people are free only to whisper.”
An essential contribution to any discussion of race and likely to be a standard text in cultural studies for years to come.Pub Date: April 7, 2020
ISBN: 978-1-63149-614-1
Page Count: 352
Publisher: Liveright/Norton
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
Flawed but poignant and often funny.
Comedian and Onion director of digital Thurston (Better Than Crying: Poking Fun at Politics, the Press & Pop Culture, 2003) delivers a “book about the ideas of blackness” in the guise of a helpful how-to guide to being black.
The author and a “Black Panel” made up of friends and colleagues, including one white person to avoid charges of reverse discrimination and also as a control group, ponder many questions about being black—e.g., “When did you first realize you were black?” and “Can you swim?” However, the humor does not serve the role of making light of race and racism, but rather as a gentle skewering that invites serious consideration of how black Americans are often limited by certain expectations concerning blackness. In “How to Speak for All Black People,” Thurston challenges the assumption that one black person can speak to the experience of an entire race, as well as the assumption that a black person can only speak to the black experience. In “How to Be the Black Employee,” he confronts the challenges of being hired both for the job and for being black—you will and must be, for instance, featured in every company photo. The humor does not always work; at times it is blog-like cleverness for the sake of cleverness (and is yet another joke about blacks needing white friends to get a cab really needed?). Thurston is at his best when he writes about his own life: growing up in Washington, D.C., attending Sidwell Friends School, matriculating at Harvard (“my experience of race at Harvard was full of joy and excitement”). The key to greater harmony is not necessarily seeing beyond race, but, as one Black Panelist puts it, to “see that and all of the things that I have done, to embrace all of me.”
Flawed but poignant and often funny.Pub Date: Feb. 1, 2012
ISBN: 978-0-06-200321-8
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 12, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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