Although Heidi is not a subject of ridicule at her British reform school, which she attends because her parents work there, she’s not Miss Popularity, either. In imitation of her favorite TV detective, Heidi starts wearing a long beige raincoat, which turns out to be her key to social success. When asked about the coat’s origins, she replies that it belongs to her boyfriend, Ed. Ed is so cool and wise that Heidi’s friends correspond with him by e-mail. Only Heidi knows that Ed is completely made up. Then...Heidi’s tangled web is invaded by someone who goes by the online handle “arealboy” and claims to know that Ed isn’t real. The story, which includes a student production of Twelfth Night, has some Shakespearean parallels, with role-playing, mistaken identities, breakups and makeups. The supporting characters, however, are too bland to support the interesting plot, and Heidi has a fondness for Scrabble that makes her inner dialogue often obnoxious. Romance readers should figure out who “arealboy” is early on, leaving little mystery to add dimension to the story. (Fiction. 13 & up)
Pub Date: April 1, 2010
ISBN: 978-0-545-07354-7
Page Count: 288
Publisher: Scholastic
Review Posted Online: May 6, 2011
Kirkus Reviews Issue: March 1, 2010
Categories: TEENS & YOUNG ADULT ROMANCE | TEENS & YOUNG ADULT SOCIAL THEMES
Did you like this book?
Riveting, brutal and beautifully told.
GET IT
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
Did you like this book?
PROFILES
Engrossing, contemplative, and as heart-wrenching as the title promises.
GET IT
What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
Did you like this book?
© Copyright 2021 Kirkus Media LLC. All Rights Reserved.
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
