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NEOMAD INTERACTIVE COMIC

Dazzling.

In an electric mix of live video clips, CGI effects and neon-hued comics pages, young Aborigines have exciting adventures both in Western Australia’s Pilbara Desert and in outer space.

The stories center around the scruffy Our Gang–style Love Punks, faces painted to resemble the mottled, elaborate hangout they have built from recycled junk. In the first two episodes, they take a flying car for a joy ride, then encounter the echidna god Jiribuga. Meanwhile, the Satellite Sisters play a fast-paced zero-gravity game and watch over Earth from orbit to protect it from falling space junk. In the finale, the two groups combine to rescue a spaceship full of tourists from being swallowed by the sky god Mingkala. The children are comfortable in front of the camera, the dialogue never sounds artificial, and both the video and the graphic segments show top-drawer production values. The comics pages are particularly noteworthy: They often alter inventively when swiped rather than just turn and feature melodramatic voice-overs activated by tapping dialogue bubbles, and they were created in part by the young cast itself. Furthermore, tapping bilingual lines a second time causes a translation to appear—or, for effect, sometimes not: “An ancient gigantic angry sky god! It’s trying to suck us into its muji!” Pranks and banter fly as the young cast hilariously hams its way through the plot, but there are also earnestly delivered messages about the importance both of environmental conservation and of respecting traditional beliefs.

Dazzling. (includes three “making of” featurettes) (iPad graphic-novel app. 6-10)

Pub Date: May 24, 2013

ISBN: N/A

Page Count: -

Publisher: BighART

Review Posted Online: Aug. 13, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

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Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 13, 2018

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