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THE RICH MAN AND THE PARROT

The Indian parrot that finds a way to escape from his comfortable, yet confining cage in a rich Persian merchant’s garden, exemplifies the desire for liberty. This 13th-century tale, retold from the Masnavi, a collection by the Persian poet Rumi, is set in a later period, denoted by the merchant’s touring car and turn-of-the-20th-century furnishings, but it remains timeless. When the merchant takes a buying trip to India, the bird asks him to visit his brother parrots. The man obeys and witnesses a strange turn of events. At the merchant’s greeting, the colorful birds all fall down, seemingly dead. When the merchant tells his beloved pet this story, the parrot imitates his brothers and the merchant is horrified. Only then does the man open the cage and the wily bird escapes, telling the man how his fellow parrots gave him insight into how to win his freedom. An easy-to-understand allegory with colorful paintings of both the beautiful yet domesticated Persian garden and the wilder Indian jungle. (biographical note about Rumi) (Picture book/folktale. 6-10)

Pub Date: April 1, 2007

ISBN: 978-0-8075-5059-5

Page Count: 32

Publisher: Whitman

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2007

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KEENA FORD AND THE FIELD TRIP MIX-UP

Keena Ford’s second-grade class is taking a field trip to the United States Capitol. This good-hearted girl works hard to behave, but her impulsive decisions have a way of backfiring, no matter how hard she tries to do the right thing. In this second book in a series, Keena cuts off one of her braids and later causes a congressman to fall down the stairs. The first-person journal format is a stretch—most second graders can barely write, let alone tell every detail of three days of her life. Children will wonder how Keena can cut one of her “two thick braids” all the way off by pretend-snipping in the air. They will be further confused because the cover art clearly shows Keena with a completely different hairdo on the field trip than the one described. Though a strong African-American heroine is most welcome in chapter books and Keena and her family are likable and realistic, this series needs more polish before Keena writes about her next month in school. (Fiction. 6-9)

Pub Date: July 1, 2009

ISBN: 978-0-8037-3264-3

Page Count: 112

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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